“Alter erit tum Tiphys et altera quæ vehat Argo
Delectos heroas: erunt etiam altera bella,
Atque iterum ad Trojam magnus mittetur Achilles.”
[1005] Lucian, Pseudol. c. 4. Παρακλητέος ἡμῖν τῶν Μενάνδρου προλόγων εἷς, ὁ Ἔλεγχος, φίλος ἀληθείᾳ καὶ παῤῥησίᾳ θεὸς, οὐχ ὁ ἀσημότατος τῶν ἐπὶ τὴν σκήνην ἀναβαινόντων. (See Meineke ad Menandr. p. 284.)
[1006] The following passage from Dr. Ferguson’s Essay on Civil Society (part ii. sect. i. p. 126) bears well on the subject before us:—
“If conjectures and opinions formed at a distance have not a sufficient authority in the history of mankind, the domestic antiquities of every nation must for this very reason be received with caution. They are, for the most part, the mere conjectures or the fictions of subsequent ages; and even where at first they contained some resemblance of truth, they still vary with the imagination of those by whom they were transmitted, and in every generation receive a different form. They are made to bear the stamp of the times through which they have passed in the form of tradition, not of the ages to which their pretended descriptions relate.... When traditionary fables are rehearsed by the vulgar, they bear the marks of a national character, and though mixed with absurdities, often raise the imagination and move the heart: when made the materials of poetry, and adorned by the skill and the eloquence of an ardent and superior mind, they instruct the understanding as well as engage the passions. It is only in the management of mere antiquaries, or stript of the ornaments which the laws of history forbid them to wear, that they become unfit even to amuse the fancy or to serve any purpose whatever.
“It were absurd to quote the fable of the Iliad or the Odyssey, the legend of Hercules, Theseus, and Œdipus, as authorities in matters of fact relating to the history of mankind; but they may, with great justice, be cited to ascertain what were the conceptions and sentiments of the age in which they were composed, or to characterize the genius of that people with whose imaginations they were blended, and by whom they were fondly rehearsed and admired. In this manner, fiction may be admitted to vouch for the genius of nations, while history has nothing to offer worthy of credit.”
To the same purpose, M. Paulin Paris (in his Lettre à M. H. de Monmerqué, prefixed to the Roman de Berte aux Grans Piés, Paris, 1836), respecting the “romans” of the Middle Ages: “Pour bien connaître l’histoire du moyen âge, non pas celle des faits, mais celle des mœurs qui rendent les faits vraisemblables, il faut l’avoir étudiée dans les romans, et voilà pourquoi l’Histoire de France n’est pas encore faite.” (p. xxi.)
[1007] A curious evidence of the undiminished popularity of the Grecian mythes to the exclusion even of recent history, is preserved by Vopiscus at the beginning of his Life of Aurelian.
The præfect of the city of Rome, Junius Tiberianus, took Vopiscus into his carriage on the festival-day of the Hilaria; he was connected by the ties of relationship with Aurelian, who had died about a generation before—and as the carriage passed by the splendid Temple of the Sun, which Aurelian had consecrated, he asked Vopiscus, what author had written the life of that emperor? To which Vopiscus replied, that he had read some Greek works which touched upon Aurelian, but nothing in Latin. Whereat the venerable præfect was profoundly grieved: “Dolorem gemitûs sui vir sanctus per hæc verba profudit: Ergo Thersitem, Sinonem, cæteraque illa prodigia vetustatis, et nos bene scimus, et posteri frequentabunt: divum Aurelianum, clarissimum principem, severissimum Imperatorem, per quem totus Romano nomini orbis est restitutus, posteri nescient? Deus avertat hanc amentiam! Et tamen, si bene memini, ephemeridas illius viri scriptas habemus,” etc. (Historiæ August. Scriptt. p. 209, ed. Salmas.)