Europê finds in Krête a king Astêrius, who marries her and adopts her children by Zeus: this Astêrius is the son of Krês, the eponym of the island, or (according to another genealogy by which it was attempted to be made out that Minôs was of Dôrian race) he was a son of the daughter of Krês by Tektamus, the son of Dôrus, who had migrated into the island from Greece.
Minôs married Pasiphaê, daughter of the god Hêlios and Perseïs, by whom he had Katreus, Deukaliôn, Glaukus, Androgeos, names marked in the legendary narrative,—together with several daughters, among whom were Ariadnê and Phædra. He offended Poseidôn by neglecting to fulfil a solemnly-made vow, and the displeased god afflicted his wife Pasiphaê with a monstrous passion for a bull. The great artist Dædalus, son of Eupalamus, a fugitive from Athens, became the confidant of this amour, from which sprang the Minôtaur, a creature half man and half bull.[525] This Minôtaur was imprisoned by Minôs in the labyrinth, an inextricable inclosure constructed by Dædalus for that express purpose, by order of Minôs.
Minôs acquired great nautical power, and expelled the Karian inhabitants from many of the islands of the Ægean, which he placed under the government of his sons on the footing of tributaries. He undertook several expeditions against various places on the coast—one against Nisus, the son of Pandiôn, king of Megara, who had amongst the hair of his head one peculiar lock of a purple color: an oracle had pronounced that his life and reign would never be in danger so long as he preserved this precious lock. The city would have remained inexpugnable, if Scylla, the daughter of Nisus, had not conceived a violent passion for Minôs. While her father was asleep, she cut off the lock on which his safety hung, so that the Krêtan king soon became victorious. Instead of performing his promise to carry Scylla away with him to Krête, he cast her from the stern of his vessel into the sea:[526] both Scylla and Nisus were changed into birds.
Androgeos, son of Minôs having displayed such rare qualities as to vanquish all his competitors at the Panathenaic festival in Athens, was sent by Ægeus the Athenian king to contend against the bull of Marathôn,—an enterprise in which he perished, and Minôs made war upon Athens to avenge his death. He was for a long time unable to take the city: at length he prayed to his father Zeus to aid him in obtaining redress from the Athenians, and Zeus sent upon them pestilence and famine. In vain did they endeavor to avert these calamities by offering up as propitiatory sacrifices the four daughters of Hyacinthus. Their sufferings still continued, and the oracle directed them to submit to any terms which Minôs might exact. He required that they should send to Krête a tribute of seven youths and seven maidens, periodically, to be devoured by the Minôtaur,[527]—offered to him in a labyrinth constructed by Dædalus, including countless different passages, out of which no person could escape.
Every ninth year this offering was to be despatched. The more common story was, that the youths and maidens thus destined to destruction were selected by lot—but the logographer Hellanikus said that Minôs came to Athens and chose them himself.[528] The third period for despatching the victims had arrived, and Athens was plunged in the deepest affliction, when Thêseus determined to devote himself as one of them, and either to terminate the sanguinary tribute or to perish. He prayed to Poseidôn for help, and the Delphian god assured him that Aphroditê would sustain and extricate him. On arriving at Knossus he was fortunate enough to captivate the affections of Ariadnê, the daughter of Minôs, who supplied him with a sword and a clue of thread. With the former he contrived to kill the Minôtaur, the latter served to guide his footsteps in escaping from the labyrinth. Having accomplished this triumph, he left Krête with his ship and companions unhurt, carrying off Ariadnê, whom however he soon abandoned on the island of Naxos. On his way home to Athens, he stopped at Dêlos, where he offered a grateful sacrifice to Apollo for his escape, and danced along with the young men and maidens whom he had rescued from the Minôtaur, a dance called the Geranus, imitated from the twists and convolutions of the Krêtan labyrinth. It had been concerted with his father Ægeus, that if he succeeded in his enterprise against the Minôtaur, he should on his return hoist white sails in his ship in place of the black canvas which she habitually carried when employed on this mournful embassy. But Thêseus forgot to make the change of sails; so that Ægeus, seeing the ship return with her equipment of mourning unaltered, was impressed with the sorrowful conviction that his son had perished, and cast himself into the sea. The ship which made this voyage was preserved by the Athenians with careful solicitude, being constantly repaired with new timbers, down to the time of the Phalerian Dêmêtrius: every year she was sent from Athens to Dêlos with a solemn sacrifice and specially-nominated envoys. The priest of Apollo decked her stern with garlands before she quitted the port, and during the time which elapsed until her return, the city was understood to abstain from all acts carrying with them public impurity, so that it was unlawful to put to death any person even under formal sentence by the dikastery. This accidental circumstance becomes especially memorable, from its having postponed for thirty days the death of the lamented Socratês.[529]
The legend respecting Thêseus, and his heroic rescue of the seven noble youths and maidens from the jaws of the Minôtaur, was thus both commemorated and certified to the Athenian public, by the annual holy ceremony and by the unquestioned identity of the vessel employed in it. There were indeed many varieties in the mode of narrating the incident; and some of the Attic logographers tried to rationalize the fable by transforming the Minôtaur into a general or a powerful athlete, named Taurus, whom Thêseus vanquished in Krête.[530] But this altered version never overbore the old fanciful character of the tale as maintained by the poets. A great number of other religious ceremonies and customs, as well as several chapels or sacred enclosures in honor of different heroes, were connected with different acts and special ordinances of Thêseus. To every Athênian who took part in the festivals of the Oschophoria, the Pyanepsia, or the Kybernêsia, the name of this great hero was familiar, and the motives for offering to him solemn worship at his own special festival of the Thêseia, became evident and impressive.
The same Athenian legends which ennobled and decorated the character of Thêseus, painted in repulsive colors the attributes of Minôs; and the traits of the old Homeric comrade of Zeus were buried under those of the conqueror and oppressor of Athens. His history like that of the other legendary personages of Greece, consists almost entirely of a string of family romances and tragedies. His son Katreus, father of Aëropê, wife of Atreus, was apprized by an oracle that he would perish by the hand of one of his own children: he accordingly sent them out of the island, and Althæmenês, his son, established himself in Rhodes. Katreus having become old, and fancying that he had outlived the warning of the oracle, went over to Rhodes to see Althæmenês. In an accidental dispute which arose between his attendants and the islanders, Althæmenês inadvertently took part and slew his father without knowing him. Glaukus, the youngest son of Minôs, pursuing a mouse, fell into a reservoir of honey and was drowned. No one knew what had become of him, and his father was inconsolable; at length the Argeian Polyeidus, a prophet wonderfully endowed by the gods, both discovered the boy and restored him to life, to the exceeding joy of Minôs.[531]
The latter at last found his death in an eager attempt to overtake and punish Dædalus. This great artist, the eponymous hero of the Attic gens or dême called the Dædalidæ, and the descendant of Erechtheus through Mêtion, had been tried at the tribunal of Areiopagus and banished for killing his nephew Talos, whose rapidly improving skill excited his envy.[532] He took refuge in Krête, where he acquired the confidence of Minôs, and was employed (as has been already mentioned) in constructing the labyrinth; subsequently however he fell under the displeasure of Minôs, and was confined as a close prisoner in the inextricable windings of his own edifice. His unrivalled skill and resource however did not forsake him. He manufactured wings both for himself and for his son Ikarus, with which they flew over the sea: the father arrived safely in Sicily at Kamikus, the residence of the Sikanian king Kokalus, but the son, disdaining paternal example and admonition, flew so high that his wings were melted by the sun and he fell into the sea, which from him was called the Ikarian sea.[533]
Dædalus remained for some time in Sicily, leaving in various parts of the island many prodigious evidences of mechanical and architectural skill.[534] At length Minôs bent upon regaining possession of his person, undertook an expedition against Kokalus with a numerous fleet and army. Kokalus affecting readiness to deliver up the fugitive, and receiving Minôs with apparent friendship, ordered a bath to be prepared for him by his three daughters, who, eager to protect Dædalus at any price, drowned the Krêtan king in the bath with hot water.[535] Many of the Krêtans who had accompanied him remained in Sicily and founded the town of Minoa, which they denominated after him. But not long afterwards Zeus roused all the inhabitants of Krête (except the towns of Polichna and Præsus) to undertake with one accord an expedition against Kamikus for the purpose of avenging the death of Minôs. They besieged Kamikus in vain for five years, until at last famine compelled them to return. On their way along the coast of Italy, in the Gulf of Tarentum, a terrible storm destroyed their fleet and obliged them to settle permanently in the country: they founded Hyria with other cities, and became Messapian Iapygians. Other settlers, for the most part Greeks, immigrated into Krête to the spots which this movement had left vacant, and in the second generation after Minôs occurred the Trojan war. The departed Minôs was exceedingly offended with the Krêtans for coöperating in avenging the injury to Menelaus, since the Greeks generally had lent no aid to the Krêtans in their expedition against the town of Kamikus. He sent upon Krête, after the return of Idomeneus from Troy, such terrible visitations of famine and pestilence, that the population again died out or expatriated, and was again renovated by fresh immigrations. The intolerable suffering[536] thus brought upon the Krêtans by the anger of Minôs, for having coöperated in the general Grecian aid to Menelaus, was urged by them to the Greeks as the reason why they could take no part in resisting the invasion of Xerxês; and it is even pretended that they were advised and encouraged to adopt this ground of excuse by the Delphian oracle.[537]
Such is the Minôs of the poets and logographers, with his legendary and romantic attributes: the familiar comrade of the great Zeus,—the judge among the dead in Hadês,—the husband of Pasiphaê, daughter of the god Hêlios,—the father of the goddess Ariadnê, as well as of Androgeos, who perishes and is worshipped at Athens,[538] and of the boy Glaukus, who is miraculously restored to life by a prophet,—the person beloved by Scylla, and the amorous pursuer of the nymph or goddess Britomartis,[539]—the proprietor of the Labyrinth and of the Minôtaur, and the exacter of a periodical tribute of youths and maidens from Athens as food for this monster,—lastly, the follower of the fugitive artist Dædalus to Kamikus, and the victim of the three ill-disposed daughters of Kokalus in a bath. With this strongly-marked portrait, the Minôs of Thucydidês and Aristotle has scarcely anything in common except the name. He is the first to acquire Thalassokraty, or command of the Ægean sea: he expels the Karian inhabitants from the Cyclades islands, and sends thither fresh colonists under his own sons; he puts down piracy, in order that he may receive his tribute regularly; lastly, he attempts to conquer Sicily, but fails in the enterprise and perishes.[540] Here we have conjectures, derived from the analogy of the Athenian maritime empire in the historical times, substituted in place of the fabulous incidents, and attached to the name of Minôs.