[188] Cicero, De Republ. i, 7; Plutarch, in Delph. p. 385; Bernhardy, Grundriss der Griechischen Litteratur, vol. i, sect. 66, not. 3.
[189] Pliny, H. N. vii, 57. Suidas v. Ἑκαταῖος.
[190] H. Ritter (Geschichte der Philosophie, ch. vi, p. 243) has some good remarks on the difficulty and obscurity of the early Greek prose-writers, in reference to the darkness of expression and meaning universally charged upon the philosopher Herakleitus.
[191] See O. Müller, Archäologie der Kunst, sect. 61; Sillig. Catalogus Artificium,—under Theodôrus and Teleklês.
Thiersch (Epochen der Bildenden Kunst, pp. 182-190, 2nd edit.) places Rhœkus near the beginning of the recorded Olympiads; and supposes two artists named Theodôrus, one the grandson of the other; but this seems to me not sustained by any adequate authority (for the loose chronology of Pliny about the Samian school of artists is not more trustworthy than about the Chian school,—compare xxxv, 12, and xxxvi, 3), and, moreover, intrinsically improbable. Herodotus (i, 51) speaks of “the Samian Theodôrus,” and seems to have known only one person so called: Diodôrus (i, 98) and Pausanias (x, 38, 3) give different accounts of Theodôrus, but the positive evidence does not enable us to verify the genealogies either of Thiersch or O. Müller. Herodotus (iv, 152) mentions the Ἡραῖον at Samos in connection with events near Olymp. 37; but this does not prove that the great temple which he himself saw, a century and a half later, had been begun before Olymp. 37, as Thiersch would infer. The statement of O. Müller, that this temple was begun in Olymp. 35, is not authenticated (Arch. der Kunst. sect. 53).
[192] Pausanias tells us distinctly that this chest was dedicated at Olympia by the Kypselids, descendants of Kypselus; and this seems credible enough. But he also tells us that this was the identical chest in which the infant Kypselus had been concealed, believing the story as told in Herodotus (v, 92). In this latter belief I cannot go along with him, nor do I think that there is any evidence for believing the chest to have been of more ancient date than the persons who dedicated it,—in spite of the opinions of O. Müller and Thiersch to the contrary (O. Müller, Archäol. der Kunst, sect. 57; Thiersch, Epochen der Griechischen Kunst, p. 169, 2nd edit.: Pausan. v, 17, 2).
[193] Mr. Fynes Clinton (Fast. Hellen. vol. ii, Appendix, c. 2, p. 201) has stated and discussed the different opinions on the chronology of Peisistratus and his sons.
Ἀγροῖκος ὀργὴν, κυαμοτρὼξ, ἀκράχολος
Δῆμος Πνυκίτης, δύσκολον γερόντιον.