[250] Plutarch, Alkib. c. 2.

[251] Pindar, Olymp. vi, 90.

ἀρχαῖον ὄνειδος—Βοιώτιον ὗν, etc.

[252] Aristoxenus mentions the flute, Cicero and Cornelius Nepos the lyre (Aristoxen. Fr. 60, ed. Didot, ap. Athenæ. iv, p. 184; Cicero, Tusc. Disp. i, 2, 4; Cornel. Nepos, Epamin. c. 2).

[253] Aristoxenus, Frag. 11, ed. Didot; Plutarch, De Gen. Socr. p. 583, Cicero, De Offic. i, 44, 155; Pausan. ix, 13, 1; Ælian, V. H. iii, 17.

The statement (said to have been given by Aristoxenus, and copied by Plutarch as well as by Jamblichus) that Lysis, who taught Epaminondas, had been one of the persons actually present in the synod of Pythagoreans at Kroton when Kylon burnt down the house, and that he with another had been the only persons who escaped—cannot be reconciled with chronology.

[254] Compare Diodor. xv, 52 with Plutarch, Perikles, c. 6, and Plutarch, Demosthenes, c. 20.

[255] Plutarch, De Gen. Sokrat. p. 576 D. μετείληφε παιδείας διαφόρου καὶ περιττῆς—(p. 585 D.) τὴν ἀρίστην τροφὴν ἐν φιλοσοφίᾳ—(p. 592 F.) Σπίνθαρος ὁ Ταραντῖνος οὐκ ὀλίγον αὐτῷ (Epaminondas) συνδιατρίψας ἐνταῦθα χρόνον, ἀεὶ δήπου λέγει, μηδενί που τῶν καθ’ ἑαυτὸν ἀνθρώπων ἐντετευχέναι, μήτε πλείονα γιγνώσκοντι μήτε ἐλάττονα φθεγγομένῳ. Compare Cornel. Nepos, Epamin. c. 3—and Plutarch, De Audiend. c. 3, p. 39 F.

We may fairly presume that this judgment of Spintharus was communicated by him to his son Aristoxenus, from whom Plutarch copied it; and we know that Aristoxenus in his writings mentioned other particulars respecting Epaminondas (Athenæus, iv, p. 184). We see thus that Plutarch had access to good sources of information respecting the latter. And as he had composed a life of Epaminondas (Plutarch, Agesil. c. 28), though unfortunately it has not reached us, we may be confident that he had taken some pains to collect materials for the purpose, which materials would naturally be employed in his dramatic dialogue, “De Genio Socratis.” This strengthens our confidence in the interesting statements which that dialogue furnishes respecting the character of Epaminondas; as well as in the incidental allusions interspersed among Plutarch’s other writings.

[256] Cornel. Nepos, Epaminond. c. 5; Plutarch, Præcept. Reip. Gerend. p. 819 C. Cicero notices him as the only man with any pretensions to oratorical talents, whom Thebes, Corinth, or Argos had ever produced (Brutus, c. 13, 50).