Condition of the inspired person — his reason is for the time withdrawn.
Here, as well as elsewhere, Plato places inspiration, both of the prophet and the poet, in marked contrast with reason and intelligence. Reason is supposed to be for the time withdrawn or abolished, and inspiration is introduced by the Gods into its place. “When Monarch Reason sleeps, this mimic wakes.” The person inspired (prophet or poet) becomes for the time the organ of an extraneous agency, speaking what he neither originates nor understands. The genuine gift of prophecy[24] (Plato says) attaches only to a disabled, enfeebled, distempered, condition of the intelligence; the gift of poetry is conferred by the Gods upon the most inferior men, as we see by the case of Tynnichus — whose sublime pæan shows us, that it is the Gods alone who utter fine poetry through the organs of a person himself thoroughly incompetent.
[24] Plato, Timæus, 71 E. ἱκανὸν δὲ σημεῖον ὡς μαντικὴν ἀφροσύνῃ θεὸς ἀνθρωπίνῃ δέδωκεν· οὐδεὶς γὰρ ἔννους ἐφάπτεται μαντικῆς ἐνθέου καὶ ἀληθοῦς, ἀλλ’ ἢ καθ’ ὕπνον τὴν τῆς φρονήσεως πεδηθεὶς δύναμιν, ἢ διὰ νόσον ἤ τινα ἐνθουσιασμὸν παραλλάξας.
Compare Plato, Menon, pp. 99-100. οἱ χρησμῳδοί τε καὶ οἱ θεομάντεις … λέγουσι μὲν ἀληθῆ καὶ πολλὰ ἴσασι δὲ οὐδὲν ὧν λέγουσι. Compare Plato, Legg. iv. 719.
Ion does not admit himself to be inspired and out of his mind.
It is thus that Plato, setting before himself a process of systematised reason, — originating in a superior intellect, laying down universal principles and deducing consequences from them — capable of being consistently applied, designedly taught, and defended against objections — enumerates the various mental conditions opposed to it, and ranks inspiration as one of them. In this dialogue, Sokrates seeks to prove that the success of Ion as a rhapsode depends upon his being out of his mind or inspired. But Ion does not accept the compliment: Ion. — You speak well, Sokrates; but I should be surprised if you spoke well enough to create in me the new conviction, that I am possessed and mad when I eulogize Homer. I do not think that you would even yourself say so, if you heard me discourse on the subject.[25]
[25] Plato, Ion, 536 E.
Homer talks upon all subjects — Is Ion competent to explain what Homer says upon all of them? Rhapsodic art. What is its province?
Sokr. — But Homer talks upon all subjects. Upon which of them can you discourse? Ion. — Upon all. Sokr. — Not surely on such as belong to special arts, professions. Each portion of the matter of knowledge is included under some special art, and is known through that art by those who possess it. Thus, you and I, both of us, know the number of our fingers; we know it through the same art, which both of us possess — the arithmetical. But Homer talks of matters belonging to many different arts or occupations, that of the physician, the charioteer, the fisherman, &c. You cannot know these; since you do not belong to any of these professions, but are a rhapsode. Describe to me what are the matters included in the rhapsodic art. The rhapsodic art is one art by itself, distinct from the medical and others: it cannot know every thing; tell me what matters come under its special province.[26] Ion. — The rhapsodic art does not know what belongs to any one of the other special arts: but that of which it takes cognizance, and that which I know, is, what is becoming and suitable to each variety of character described by Homer: to a man or woman — to a freeman or slave — to the commander who gives orders or to the subordinate who obeys them, &c. This is what belongs to the peculiar province of the rhapsode to appreciate and understand.[27] Sokr. — Will the rhapsode know what is suitable for the commander of a ship to say to his seamen, during a dangerous storm, better than the pilot? Will the rhapsode know what is suitable for one who gives directions about the treatment of a sick man, better than the physician? Will the rhapsode know what is suitable to be said by the herdsman when the cattle are savage and distracted, or to the female slaves when busy in spinning? Ion. — No: the rhapsode will not know these things so well as the pilot, the physician, the grazier, the mistress, &c.[28] Sokr. — Will the rhapsode know what is suitable for the military commander to say, when he is exhorting his soldiers? Ion. — Yes: the rhapsode will know this well: at least I know it well.
[26] Plato, Ion, 538-539.