Secondly, in the Phædrus and Phædon, the soul is declared to be immortal, à parte post as well as à parte ante. But in the Symposion, this is affirmed to be impossible.[38] The soul yearns for, but is forbidden to reach, immortality: or at least can only reach immortality in a metaphorical sense, by its prolific operation — by generating in itself as long as it lasts, and in other minds who will survive it, a self-renewing series of noble thoughts and feelings — by leaving a name and reputation to survive in the memory of others.
[38] Plato, Sympos. pp. 207-208.
Form or Idea of Beauty presented singly and exclusively in Symposion.
Thirdly, in Phædrus, Phædon, Republic, and elsewhere, Plato recognises many distinct Forms or Ideas — a world or aggregate of such Entia Rationis[39] — among which Beauty is one, but only one. It is the exalted privilege of the philosophic mind to come into contemplation and cognition of these Forms generally. But in the Symposion, the Form of Beauty (τὸ καλὸν) is presented singly and exclusively — as if the communion with this one Form were the sole occupation of the most exalted philosophy.
[39] Plat. Repub. v. 476. He recognises Forms of ἄδικον, κακόν, αἰσχρόν, as well as Forms of δίκαιον, ἀγαθόν, καλόν, &c.
Eros recognised, both in Phædrus and Symposion, as affording the initiatory stimulus to philosophy — Not so recognised in Phædon, Theætêtus, and elsewhere.
Fourthly, The Phædrus and Symposion have, both of them in common, the theory of Eros as the indispensable, initiatory, stimulus to philosophy. The spectacle of a beautiful youth is considered necessary to set light to various elements in the mind, which would otherwise remain dormant and never burn: it enables the pregnant and capable mind to bring forth what it has within and to put out its hidden strength. But if we look to the Phædon, Theætêtus, Sophistês, or Republic, we shall not find Eros invoked for any such function. The Republic describes an elaborate scheme for generating and developing the philosophic capacity: but Eros plays no part in it. In the Theætêtus, the young man so named is announced as having a pregnant mind requiring to be disburthened, and great capacity which needs foreign aid to develop it: the service needed is rendered by Sokrates, who possesses an obstetric patent, and a marvellous faculty of cross-examination. Yet instead of any auxiliary stimulus arising from personal beauty, the personal ugliness of both persons in the dialogue is emphatically signified.
I note these peculiarities, partly of the Symposion, partly of the Phædrus along with it — to illustrate the varying points of view which the reader must expect to meet in travelling through the numerous Platonic dialogues.
Concluding scene and speech of Alkibiades in the Symposion — Behaviour of Sokrates to Alkibiades and other handsome youths.
In the strange scene with which the Symposion is wound up, the main purpose of the dialogue is still farther worked out. The spirit and ethical character of Eros Philosophus, after having been depicted in general terms by Diotima, are specially exemplified in the personal history of Sokrates, as recounted and appreciated by Alkibiades. That handsome, high-born, and insolent youth, being in a complete state of intoxication, breaks in unexpectedly upon the company, all of whom are as yet sober: he enacts the part of a drunken man both in speech and action, which is described with a vivacity that would do credit to any dramatist. His presence is the signal for beginning to drink hard, and he especially challenges Sokrates to drink off, after him, as much wine as will fill the large water-vessel serving as cooler; which challenge Sokrates forthwith accepts and executes, without being the least affected by it. Alkibiades instead of following the example of the others by delivering an encomium on Eros, undertakes to deliver one upon Sokrates. He proceeds to depict Sokrates as the votary of Eros Philosophus, wrapped up in the contemplation of beautiful youths, and employing his whole time in colloquy with them — yet as never losing his own self-command, even while acquiring a magical ascendency over these companions.[40] The abnormal exterior of Sokrates, resembling that of a Satyr, though concealing the image of a God within — the eccentric pungency of his conversation, blending banter with seriousness, homely illustrations with impressive principles — has exercised an influence at once fascinating, subjugating, humiliating. The impudent Alkibiades has been made to feel painfully his own unworthiness, even while receiving every mark of admiration from others. He has become enthusiastically devoted to Sokrates, whom he has sought to attach to himself, and to lay under obligation, by tempting offers of every kind. The details of these offers are given with a fulness which cannot be translated to modern readers, and which even then required to be excused as the revelations of a drunken man. They present one of the boldest fictions in the Greek language — if we look at them in conjunction with the real character of Alkibiades as an historical person.[41] Sokrates is found proof against every variety of temptation, however seductive to Grecian feeling. In his case, Eros Philosophus maintains his dignity as exclusively pure, sentimental, and spiritual: while Alkibiades retires more humiliated than ever. We are given to understand that the like offers had been made to Sokrates by many other handsome youths also — especially by Charmides and Euthydemus — all of them being treated with the same quiet and repellent indifference.[42] Sokrates had kept on the vantage-ground as regards all:— and was regarded by all with the same mixture of humble veneration and earnest attachment.