[29] Schleiermacher (Einleitung, v. pp. 453-455) considers the Kleitophon not to be the work of Plato. But this only shows that he, like many other critics, attaches scarcely the smallest importance to the presumption arising from the Canon of Thrasyllus. For the grounds by which he justifies his disallowance of the dialogue are to the last degree trivial.
I note with surprise one of his assertions: “How” (he asks) “or from what motive can Plato have introduced an attack upon Sokrates, which is thoroughly repelled, both seriously and ironically, in almost all the Platonic dialogues?”
As I read Plato, on the contrary: the Truth is, That it is repelled in none, confirmed in many, and thoroughly ratified by Sokrates himself in the Platonic Apology.
Schleiermacher thinks that the Kleitophon is an attack upon Sokrates and the Sokratic men, Plato included, made by some opponent out of the best rhetorical schools. He calls it “a parody and caricature” of the Sokratic manner. To me it seems no caricature at all. It is a very fair application of the Sokratic or Platonic manner. Nor is it conceived by any means in the spirit of an enemy, but in that of an established companion, respectful and grateful, yet dissatisfied at finding that he makes no progress.
END OF VOL. III.
Transcriber’s Note
This HTML version was prepared initially for the on-line Grote Project by Ed Brandon from volumes in the Internet Archive. It owes a very great deal (its style sheet) to the Project Gutenberg versions of the 1911 Encyclopedia Britannica produced by Don Kretz and others. Don provided a revised style for the side-notes to accommodate Grote’s predilection for very long notes. (Even so there are a few occasions where the appearance may yet be bad in some browsers because the side-note extends over more lines than its accompanying paragraph. If there are also footnotes in the paragraph I have had to guess at how much blank space should be inserted for the footnote not to overlap the side-note.) I have modified it in one respect to permit Grote’s use of italics in some side-notes.