At this critical moment the fragment called Kritias breaks off. We do not know what was the plan which Plato (in the true spirit of the ancient epic) was about to put into the mouth of Zeus, for the information of the divine agora. We learn only that Plato intended to recount an invasion of Attica, by an army of Atlantids almost irresistible: and the glorious repulse thereof by Athens and her allies, with very inferior forces. The tale would have borne much resemblance to the Persian invasion of Greece, as recounted by Herodotus: but Plato, while employing the same religious agencies which that historian puts in the foreground, would probably have invested them with a more ethical character, and would have arranged the narrative so as to illustrate the triumph of philosophical Reason and disciplined Energy, over gigantic, impetuous, and reckless Strength. He would have described in detail the heroic valour and endurance of the trained Athenian Soldiers, women as well as men: and he would have embodied the superior Reason of the philosophical Chiefs not merely in prudent orders given to subordinates, but also in wise discourses[162] and deliberations such as we read in the Cyropædia of Xenophon. We should have had an edifying epic in prose, if Plato had completed his project. Unfortunately we know only two small fractions of it: first the introductory prologue (which I have already noticed) — lastly, the concluding catastrophe. The conclusion was, that both the victors and the vanquished disappeared altogether, and became extinct. Terrific earthquakes, and not less terrific deluges, shook and overspread the earth. The whole military caste of Attica were, in one day and night, swallowed up into the bowels of the earth (the same release as Zeus granted to the just Amphiaraus)[163] and no more heard of: while not only the population of Atlantis, but that entire island itself, was submerged beneath the ocean. The subsidence of this vast island has rendered navigation impossible; there is nothing in the Atlantic Ocean but shallow water and mud.[164]
[162] Plat. Tim. p. 19 C-E. κατά τε τὰς ἐν τοῖς ἔργοις πράξεις καὶ κατὰ τὰς ἐν τοῖς λόγοις διερμηνεύσεις (19 C).
[163] Apollodorus, iii. 6, 6; Pausanias, ix. 8, 2.
[164] Plat. Tim. p. 25 C-D. σεισμῶν ἐξαισίων καὶ κατακλυσμῶν γενομένων, μιᾶς ἡμέρας καὶ νυκτὸς χαλεπῆς ἐπελθούσης … ἄπορον καὶ ἀδιερεύνητον γέγονε τὸ ἐκεῖ πέλαγος, &c.
Respecting the shallow and muddy water of the Atlantic and its unnavigable character, as believed in the age of Plato, see a long note in my ‘History of Greece’ (ch. xviii. vol. iii. p. 381).
Plato represents the epic Kritias as matter of recorded history.
The epic of Plato would thus have concluded with an appalling catastrophe of physical agencies or divine prodigies (such as that which we read at the close of the Æschylean Prometheus[165]), under which both the contending parties perished. These gigantic outbursts of kosmical forces, along with the other facts, Plato affirms to have been recorded in the archives of the Egyptian priests. He wishes us to believe that the whole transaction is historical. As to particular narratives, the line between truth and fiction was obscurely drawn in his mind.
[165] Æschyl. Prom. 1086.
Another remark here deserving of notice is, That in this epic of the Kritias, Plato introduces the violent and destructive kosmical agencies (earthquakes, deluges, and the like) as frequently occurring, and as one cause of the periodical destruction of many races or communities. It is in this way that the Egyptian priest is made to explain to Solon the reason why no long-continued past records were preserved in Attica, or anywhere else, except in Egypt.[166] This last-mentioned country was exempt from such calamities: but in other countries, the thread of tradition was frequently broken, because the whole race (except a few) were periodically destroyed by deluges or conflagrations, leaving only a few survivors miserably poor, without arts or letters. The affirmation of these frequent destructions stands in marked contradiction with the chief thesis announced at the beginning of the Timæus — viz., the beauty and perfection of the Kosmos.
[166] Plato, Tim. pp. 22 C-D, 23 B-C.