Parse? Was kann das bedeuten? Pierce ist dem aufmerksamen Auge leserlich genug." Tieck seems to hav mist the play on the grammatical idea. To be sure, I hav not seen the Ms., but Tieck was no very careful reader or copyist.

[39] This is a scene where Tieck saw both L. and S. There were two different paintings of the same subject, one with fewer figures, and Tieck rightly points out that the less crowded one is the better. One of the engravings is by W. Blake and is not given in any list of that artist's work. Mr. W. G. Robertson, the most recent biografer of Blake informs me in a letter that he does not know it.


A PARTIAL BIBLIOGRAPHY

Athenæum. Eine Zeitschrift von A. W. Schlegel und Friederich
Schlegel, Zweiter Band. Berlin, 1799.
Boydell, John.
Catalogue of the ... Shakspeare Gallery, London, 1789.
The first edition of the catalog givs the painters' names
only: subsequent editions add the names of the engravers.
There are copies of the various editions in the
Columbia, Harvard and New York Public Libraries.
A Catalogue of Prints ... comprising the stock of J.
and J. Boydell, London, 1808.
Copy in N. Y. Public Library.
A Collection of prints from pictures painted for the purpose
of illustrating the dramatic works of Shakespeare, by the
artists of Great Britain. London ... 1803, 2 vols. in
one, atlas folio.
There are many copies in the U. S. and there is also an
American reprint with letterpress explanatory of the
plates.
Dessoir, M. K. P. Moritz als Aesthetiker.
Dobson, Austin. William Hogarth, New York and London, 1907.
Engel, J. J. Ideen zu einer Mimik, 1848.
Engel. Angelika Kaufmann, 1903.
Fiorillo, J. D. Geschichte der zeichnenden Künste, etc. Bd. V.
Geschichte der Malerei in Grossbrittanien. Göttingen, 1808.
Forster, Georg. Sämmtliche Schriften, III. Leipzig, 1843.
Friessen, H. von. Ludwig Tieck. Erinnerungen eines alten
Freundes. Wien, 1872.
Göttingen. Anzeigen für Gelehrte Sachen, etc. The volumes
from 1791 to 1803 were used.
Haym, R. Die romantische Schule, 1870.
Holtei, K. Drei hundert Briefe aus zwei Jahrhunderten, Hannover,
1872.
Joachimi-Dege, M. Deutsche Shakspeare-Probleme im XVIII.
Jahrhundert und im Zeitalter der Romantik. Leipzig, 1907.
Köpke, R. Ludwig Tieck, Leipzig, 1855.
Minor, J. Friedrich Schlegel. Seine prosaischen Jugendschriften,
Wien 1906.
Tieck und Wackenroder. Kürschners D. N. L. Bd. 145.
Moritz, K. P. Ueber die nachahmende Bildung des Schönen.
In D. L. D.
Reynolds, J. Academy Discourses. Bohn Edition, London,
1846.
Shakspere, W. The Dramatic Works of William Shakspeare,
London, 1802.
This is the Steevens edition in nine volumes. Copy in
New York Public Library.
Spooner, Shearjashub. Prospectus for publishing an American
edition of Boydell's illustrations of Shakespeare, N. Y., 1848.
Sulger-Gebing. Die Brüder A. W. und F. Schlegel und die
bildende Kunst, 1897.
Sybel. Erinnerungen an F. von Uechtritz. Leipzig, 1884.
Volbehr. Goethe und die bildende Kunst, 1897.
Walzel, O. F. Friedrich Schlegel's Briefe an seinen Bruder
August Wilhelm. Berlin, 1890.
Wietenkampf, F. How to appreciate prints. New York, 1908.
Zelak. Tieck und Shakspere. Tarnopol, 1900.


Transcriber's Notes

There is much Idiosyncratic spelling in both English and German. This has been retained, apart from the following four typos:

page 15 "sehn" amended to "sehr";
page 30 "obobserver" amended to "observer";
page 40 "int he" amended to "in the";
page 54 "Grossbittanien" amended to "Grossbrittanien".