| | Facing Page |
| Charles Dickens Reading The Chimes at 58 Lincoln's Inn
Fields on the Second of December, 1844. From a Sketch
by Daniel Maclise, R.A. | [Title] |
| Thomas Babington Macaulay at the Age of Forty-nine—After
an Engraving by W. Holl, from a Drawing by George
Richmond, A.R.A. | [6] |
| Sir Walter Scott—This Portrait is taken from Chantrey's
Bust now at Abbotsford, which, according to Lockhart,
"Alone Preserves for Posterity the Expression most
fondly Remembered by All who Ever Mingled in his
Domestic Circle." | [12] |
| White Horse Inn—From an Illustration to Waverley,
Drawn by G. Cattermole and Engraved by E. Finden | [14] |
| Thomas Carlyle—From the World-Famed Masterpiece of
Portraiture by James McNeill Whistler | [20] |
| Archhouse, Ecclefechan, Dumfriesshire, the Birthplace of
Thomas Carlyle—From a Photograph in the Possession of
Alexander Carlyle, M.A., on which Carlyle has Written
a Memorandum to Show in which Room he was Born | [26] |
| Thomas De Quincey—From an old Engraving | [30] |
| De Quincey with Two Daughters and Grandchild—From a
Chalk Drawing by James Archer, R.S.A., made in 1855 | [34] |
| Charles Lamb—From the Portrait by William Hazlitt | [38] |
| Mary and Charles Lamb—From the Painting by F.S. Cary
made in 1834 | [44] |
| Charles Dickens at the Age of Twenty-seven—From the
Portrait by Daniel Maclise, R.A. | [48] |
| Original Pickwick Cover Issued in 1837 with Dickens'
Autograph—Most of Dickens' Novels were Issued in
Shilling Installments before being Published in the
Complete Volume | [52] |
| William Makepeace Thackeray—From a Drawing by Samuel
Laurence, Engraved by J.C. Armytage | [56] |
| Title-page to Vanity Fair, Drawn by Thackeray, who
Furnished the Illustrations for Many of his Earlier
Editions | [58] |
| William Makepeace Thackeray—A Caricature Drawn by
Himself | [62] |
| Charlotte Brontë—From the Exquisitely Sympathetic Crayon
Portrait by George Richmond, R.A., now in the National
Portrait Gallery of London | [66] |
| Mrs. Gaskell—From the Portrait by George Richmond, R.A.
Mrs. Gaskell's Life of Brontë is one of the Finest
Biographies in the Language | [72] |
| George Eliot in 1864—From the Etching by Mr. Paul
Rajon—Drawn by Mr. Frederick Burton—From the
Frontispiece to the First Edition of George Eliot's
Life, by Her Husband, J.W. Cross | [76] |
| George Eliot's Birthplace, South Farm, Arbury, Nuneaton | [80] |
| John Ruskin—From a Photograph Taken on July 20, 1882, by
Messrs. Elliott & Fry | [88] |
| John Ruskin—From the Semi-Romantic Portrait by Sir John
E. Millais | [92] |
| Lord Alfred Tennyson—After an Engraving by G.J. Stodart
From a Photograph by J. Mayall | [96] |
| Facsimile of Tennyson's Original Manuscript of Crossing
the Bar. (Copyright by the Macmillan Company) | [100] |
| Robert Browning—From a Photograph by Hollyer after the
Portrait by G.F. Watts, R.A. | [106] |
| Elizabeth Barrett Browning—After the Portrait by Field
Talfourd | [110] |
| George Meredith with His Daughter and Grandchildren—From
a Photograph Taken Shortly Before His Death | [118] |
| Flint Cottage, Boxhill, the Home of George Meredith—His
Writing was done in a Small Swiss Chalet in the Garden | [120] |
| Robert Louis Stevenson—The Author's Intimate Associates
Pronounce this Photograph a Perfect Presentation of His
Most Typical Expression | [126] |
| Stevenson's Home at Valima, Samoa, Looking Toward Vaea | [128] |
| Thomas Hardy—A Portrait Which Brings Out Strikingly the
Man of Creative Power, the Artist, the Philosopher and
the Poet | [132] |
| Rudyard Kipling—A Striking Likeness of the Author in a
Characteristic Pose | [140] |
| Rudyard Kipling—From a Cartoon by W. Nicholson | [144] |