SALE OF CREMONESE INSTRUMENTS AT MILAN, AT THE END OF THE LAST CENTURY.
(Extracted from the "Gazetta di Firenze," 1790.)
The following instruments were offered for sale at Milan, by Signor Francesco Albinoni, in March, 1790:—
| 1. | Violin by Antonio and Girolamo Amati, Cremona | 1616 |
| 2. | Violin by Niccolò Amati | 1647 |
| 3. | Violin by Niccolò Amati | 1667 |
| 4. | Violin by Andrea Guarneri | 1657 |
| 5. | Violin by Giuseppe Guarneri, figlio | 1705 |
| 6. | Violin by Antonio Stradivari | 1708 |
| 7. | Violin by Antonio Stradivari | 1719 |
| 8. | Violin by Giovanni Ruggeri | 1653 |
| 9. | Violin by Francesco Ruggeri | 1670 |
| 10. | Tenor by Antonio and Girolamo Amati | 1617 |
| 11. | Tenor by Antonio and Girolamo Amati | 1618 |
| 12. | Tenor by Francesco Ruggeri | 1619 |
| 13. | Violoncello by Amati, Cremona | 1622 |
| 14. | Violoncello by Andrea Guarneri | 1692 |
The above announcement cannot fail to make one reflect on the different degree of interest excited by a sale of Cremonas a century ago and one at the present time. The sale conducted by Signor Albinoni, in 1790, at Milan, doubtless passed with but little, if any, display of enthusiasm, and were it now possible to learn the prices realised, they would certainly give occasion for surprise when compared with those now obtained. As regards the increased interest taken in rare Violins, the sale of the Gillott collection, in 1872, furnishes an instance of comparatively recent date. The announcement of Messrs. Christie and Manson served to bring together in King Street, St. James's, a legion of Violin votaries. So unusual was the excitement that the Graphic had one of its pages occupied by an excellent representation of "Viewing the Violins." In Paris, in the year 1878, the sale of a Stradivari Violin, at the Hôtel Drouot, gave rise to an unusual display of interest. The first bid was for ten thousand francs, and the Stradivari, dated 1709, was knocked down for the large sum of twenty-two thousand one hundred francs. When the biddings at the Hôtel des Ventes had reached eighteen thousand francs, a casualty, which might have led to unpleasant results, lent additional zest to the proceedings. There was a great pressure among the crowd to obtain a sight of the Stradivari. Two or three of the more adventurous spirits clambered on to a table to gain a clear prospect of the precious Fiddle, causing the legs of the table to give way and the enthusiasts to be precipitated to the ground. A cry of terror—less for the fallen than for the Fiddle—arose from the throng; but soon the voice of the auctioneer was heard proclaiming, in reassuring accents, "Do not be alarmed, gentlemen; the Stradivari is safe!"
AN INDEFATIGABLE VIOLINIST.
"Puppo, the Violinist, being in Paris in 1793, was summoned before the Committee of Public Safety on suspicion, when the following interrogatories were put to him: 'Your name?' 'Puppo.' 'What were you doing during the time of the tyrant?' 'I played the Violin.' 'What do you do now?' 'I play the Violin.' 'And what will you do for the nation?' 'I will play the Violin.'"
A WISH.
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"Busts, cameos, gems—such things as these Which others often show for pride, I value for their power to please And selfish churls deride; One Stradivari, I confess. Two meerschaums, I would fain possess." |