CALOT, ——, about 1830. He was in the workshop of Clément prior to date given. See [AUGIÈRE].
CASTAGNERY, Andrea. See [Italian list].
CASTAGNERY, Jean Paul. M. Fétis mentions this maker as having worked in Paris, 1638-62.
CHAMPION, René, Paris, about 1735. His instruments are well made, and the varnish is of good quality.
CHANOT, François, born at Mirecourt in 1788. An engineer by profession. Becoming interested in the construction of Violins, he designed one having sides like those of the guitar. M. Chouquet describes a Violin of this maker, made for Viotti, and remarks that the experiment of François Chanot opened the way to those of Savart. The date of Chanot's patent is 1818. The paper of Savart on the construction of bow instruments was read at the French Academy in the following year.
CHANOT, Georges, Paris. Brother of the above-named; born at Mirecourt, 1801. Throughout life was a most indefatigable worker. He has made a very large number of copies of Stradivari and Guarneri, chiefly of the former, which are also the best. They are well constructed instruments, and the wood is of an excellent description. He was long known as a dealer in Cremonese instruments, and many notable rarities passed into his possession. The instruments of this maker will, at no distant date, be valued higher than they are at the present time. He died in 1883.
CHANOT, Georges, London. Son of Georges Chanot, Paris. Assisted Charles Maucotel, and a short time afterwards started in business on his own behalf. He died in 1893.
CHANOT, F. Son of Georges Chanot.
CHANOT, G. A. Brother of the above-named.
CHAPPUY, Nicolas-Augustin, about 1765. His instruments are chiefly of large pattern; nearly all are branded on the button, in a similar manner to those of the Testore family. Chappuy differed greatly in his work. When he used plenty of wood we have instruments of a good kind and worthy of attention. There are many, however, having his brand that are scarcely fit to be called Violins, so inferior is the work and wood.