KNOWLEDGE OF RELIGIOUS MUSIC AND ART
Not all of the child's religious impressions come through direct instruction in the facts and precepts of religion. Religious feeling and comprehension of the deeper meanings and values often best spring from their expression in music and art.
Music essential to religion.—No other form of expression can take the place of music in creating a spirit of reverence and devotion, or in inspiring religious feeling. So closely is music interwoven with religion that no small part of the world's greatest musical masterpieces have a religious motive as their theme. Even among primitive peoples music is an important feature of religious ceremonials. The Christian Church has a large and growing body of inspiring hymnology.
The child needs to be led into a knowledge of religious music. He needs this knowledge as a stimulus and a means of expression for his own spiritual life. But he also needs it in order to take part in the exercises of his church and its organizations. He needs it in order to enjoy music and do his part in producing it in the home and the school. This means that children should come to know the hymnology of the church; they should know the words and the music of such worthy and inspiring hymns as are adapted to their age and understanding. They should finally, during the course of their development to adulthood, learn to know and enjoy the great religious oratorios and other forms of musical expression.
The place of art in religion.—Art, like music, owes much of its finest form and development to religion. Religious hope, aspiration, and devotion have always sought expression in pictorial or plastic art and in noble architecture. We owe it to our children to put them in possession of this rich spiritual heritage. They should know and love the great masterpieces of painting dealing with religious themes. They should not only have these as a part of their instruction in the church school classes, but they should also have them in their homes and in their schools, and see them in public art galleries and in other public buildings suitable for their display.
Wherever possible the church building should in its architecture express in a worthy way the religious ideals of its members. It should first of all be adapted to the uses expected of it. It should be beautiful in conception and execution, and should allow no unlovely or unworthy elements to enter into its structure.
We should teach our children something of the wonder and beauty of religious architecture as represented in the great cathedrals and churches of all lands, and lead them to see in these creations the desire and attempt of great souls to express their appreciation for God's goodness to men.
1. It will help you to understand the child's idea of God if you will think back to your own childhood and answer the following questions: Just who and what was God to you? Was he near by or far off? When you prayed, to what kind of a Being was the prayer addressed? Did Jesus seem more near and friendly to you than God? What were (or are) the most outstanding attributes of God's nature to you? Did you ever have any disturbing ideas about God?
2. Now, suppose you attempt to answer these same questions about the children in your class. You will have to remember that the child may not be able to explain just what God seems to him—perhaps you can hardly do this yourself. Further, a child may often have some notion that what he feels is queer or would not be well received, and hence he will not fully express it to others.
3. Just what does religion seem to you to be? Is it largely a way of living or a set of conventions and restraints? How did religion appeal to you in your childhood? Are you able to tell how the children of your class understand religion? What definite help are you giving them toward broadening and enriching their concept of religion? Are you leading them to see that religion is a way of living the day's life?
4. To what extent do you feel that you really know the Bible? Could you give a sketch of twenty of its leading characters, describing the strengths and weaknesses of character of each? Could you describe the great biblical events, and draw the lessons they teach? Could you compare and characterize the Hebrew religion and the religion of Jesus? Are the pupils in your class going to be able from the work of the church school to answer favorably these and similar questions?
5. We expect good citizens to know something of the history of their country and their commonwealth. Is it too much to ask members of the Christian Church to have the same information about the church? Could you pass a fair examination on the history and achievements of the church? Of your own particular church? Are the children of your church school growing in this knowledge? The children of your class?
6. To what extent do the children of your class know the hymns of the church? Is care taken to give them such hymns as are suited to their age? Are worthy hymns taught them, or the silly rimes found in many church song books? (This does not mean that children should be taught music beyond their comprehension; there is much good music suited to different ages.) Are your children having an opportunity to know the great religious pictures? Religious architecture? (Here also the work must be adapted to the age.)