Many Chicago school children who were asked to compare the height of a mountain with that of a tall factory chimney said that the chimney was higher, because the mountain "does not go straight up" like the chimney. These children had learned and recited that a mountain "is an elevation of land a thousand or more than a thousand feet in height," but their imagination failed to picture the mountain, since not even the smallest mountain nor a high hill had ever been actually present to their observation. Small wonder, then, that Sunday school children have some trouble, living as they do in these modern times, to picture ancient times and peoples who were so different from any with which their experience has had to deal!
Guiding principles.—The skillful teacher knows how to help the child use his imagination. The following laws or principles will aid in such training:
1. Relate the new scene or picture with something similar in the child's experience. The desert is like the sandy waste or the barren and stony hillside with which the children are acquainted. The square, flat-topped houses of eastern lands have their approximate counterpart in occasional buildings to be found in almost any modern community. The rivers and lakes of Bible lands may be compared with rivers and lakes near at hand. The manner of cooking and serving food under primitive conditions was not so different from our own method on picnics and excursion days. While the life and work of the shepherd have changed, we still have the sheep. The walls of the ancient city can be seen in miniature in stone and concrete embankments, or even the stone fences common in some sections.
The main thing is to get some starting point in actual observation from which the child can proceed. The teacher must then help the child to modify from the actual in such a way as to picture the object or place described as nearly true to reality as possible. The child who said, "A mountain is a mound of earth with brush growing on it" had been shown a hillock covered with growing brush and had been told that the mountain was like this, only bigger. The imagination had not been sufficiently stimulated to realize the significant differences and to picture the real mountain from the miniature suggestion.
2. Articles and objects from ancient times or from other lands may occasionally be secured to show the children. Even if such objects may not date back to Bible times, they are still useful as a vantage point for the imagination. A modern copy of the old-time Oriental lamp, a candelabrum, a pair of sandals, a turban, a robe, or garment such as the ancients wore—these accompanied by intelligent description of the times and places to which they belonged are all a stimulus to the child's imagination which should not be overlooked. The very fact that they suggest other peoples and other modes of living than our own is an invitation and incentive to the mind to reach out beyond the immediate and the familiar to the new and the strange.
3. Pictures can be made a great help to the imagination. In the better type of our church schools we are now making free use of pictures as teaching material. It is not always enough, however, merely to place the picture before the child. It requires a certain fund of information and interest in order to see in a picture what it is intended to convey. The child cannot get from the picture more than he brings to it. The teacher may therefore need to give the picture its proper setting by describing the kind of life or the type of action or event with which it deals. He may need to ask questions, and make suggestions in order to be sure that the child sees in the picture the interesting and important things, and that his imagination carries out beyond what is actually presented in the picture itself to what it suggests. While the first response of the child to a picture, as to a story, should be that of enjoyment and interest, this does not mean that the picture, like the story, may not reach much deeper than the immediate interest and enjoyment. The picture which has failed to stimulate the child's imagination to see much more than the picture contains has failed of one of its chief objects.
4. Stimulate the imagination by use of vivid descriptions and thought-provoking questions. Every teacher, whether of young children or of older ones, should strive to be a good teller of stories and a good user of illustrations. This requires study and practice, but it is worth the cost—even outside of the classroom. The good story-teller must be able to speak freely, easily, and naturally. He must have a sense of the important and significant in a story or illustration, and be able to work to a climax. He must know just how much of detail to use to appeal to the imagination to supply the remainder, and not employ so great an amount of detail as to leave nothing to the imagination of the listener. He must himself enter fully into the spirit and enthusiasm of the story, and must have his own imagination filled with the pictures he would create in his pupils' minds. He must himself enjoy the story or the illustration, and thus be able in his expression and manner to suggest the response he desires from the children. Well told stories that have in them the dramatic quality can hardly fail to stir the most sluggish imagination and prepare it for the important part it must play in the child's religious development.
Skillfully used questions and suggestions can be made an important means of stimulating the imagination. Such helps as: Do you think the sea of Galilee looked like the lake (here name one near at hand) which you know? How did it differ? What tree have you in mind which is about the same size as the fig tree in the lesson? How does it differ in appearance? Close your eyes and try to see in your mind just how the river looked where the baby Moses was found. Have you ever seen a man who you think looks much as Elijah must have looked? Describe him. If you were going to make a coat like the one Joseph wore, what colors would you select? What kind of cloth? What would be the cut or shape of it?—Hardly a lesson period will pass without many opportunities for wise questions whose chief purpose is to make real and vivid to the child the persons or places described, and so add to their significance to him.
5. Dramatic representation can be used as an incentive to the imagination. Children easily and naturally imagine themselves to be some other person, and often play at being nurse or school teacher or doctor or preacher. Nearly every child possesses a large measure of the dramatic impulse, and is something of an actor. It is great fun for children to "tog up" and to "show off" in their play. And not only is all this an expression of imagination actively at work, but such activities are themselves a great stimulus to the imagination. The child who has dressed up as George Washington and impersonated him in some ceremonial or on a public occasion will ever after feel a closer reality in the life and work of Washington than would come from mere reading about him. A group of children who have acted out the story of the good Samaritan will get a little closer to its inner meaning than merely to hear the story told. The girl who has taken the part of Esther appearing before the king in behalf of her people will realize a little more fully from that experience what devotion and courage were required from the real Esther. A class who have participated in a pageant of the Nativity will always be a little nearer to the original event than if their imaginations had not been called upon to make real the characters and incidents.