Teaching goes on chiefly in what we call the recitation. This is the teacher's point of contact with his pupils; here he meets them face to face and mind to mind; here he succeeds or fails in his function of teaching.
Failure in teaching is harder to measure than failure in organization and management. It quickly becomes noised abroad if the children are not well classified, or if the teacher cannot keep order. If the machinery of the school does not run smoothly, its creaking soon attracts public attention, and the skill of the teacher is at once called into question. But the teacher may be doing indifferent work in the recitation, and the class hardly be aware of it and the patrons know nothing about it. There is no definite measure for the amount of inspiration a teacher is giving daily to his pupils, and no foot-rule with which to test the worth of his instruction in the recitation.
And it is this very fact that makes it so necessary that the teacher should study the principles of teaching as applied to the recitation. The difficulty of accurately measuring failure in actual teaching tends to make us all careless at this point. Yet this is the very point above all others that is vital to the pupil. Inspiring teaching may compensate in large degree for poor management, but nothing can make up to a pupil for dull and unskillful teaching. If the recitations are for him a failure, nothing else can make the school a success so far as he is concerned.
The ultimate measure of a teacher, therefore, is the measure taken before his class, while he is conducting a recitation.
2. The necessity of having a clear aim
Any discussion of the recitation should begin with its aims or purposes; for upon aim or purpose everything else depends. For example, if you ask me the best method of conducting a recitation, I shall have to inquire before answering, whether your purpose in this recitation is to discover what the pupils have prepared of the work assigned them; or to introduce the class to a new subject, such as percentage in arithmetic; or to drill them, as upon the multiplication table. Each of these purposes would demand a different method in the recitation. Again, if your purpose is to show off a class before visitors, you will need to use a very different method from what you will employ if your aim is to encourage the class in self-expression and independence in thinking.
There are three great purposes to be accomplished through the recitation: testing, teaching, and drilling. These three aims may all be accomplished at times in the same recitation, may even alternate with each other in successive questions, but they are nevertheless wholly distinct from each other, and require different methods for their accomplishment. The skillful teacher will have one or the other of these three aims before him either consciously or unconsciously at each moment of the recitation, and will know when he changes from one to the other and for what reason. Let us proceed to consider each of these aims somewhat more in detail.
3. Testing as an aim in the recitation
Testing deals with ground already covered, with matter already learned, or with powers already developed. It concerns itself with the old, instead of progressing into the new. It seeks to find out what the child knows or what he can do of that which he has already been over in his work. Of course every new lesson or task attempted is in some measure a test of all that has preceded it, but testing needs to be much more definite and specific than this.
The testing discussed here must not be confused with what we sometimes call "tests," but which really are examinations, given at more or less infrequent intervals. Testing may and should be carried on in the regular daily recitations by questions and answers either oral or written, bearing on matter previously assigned; by discussions of topics of the lesson assigned; or by requiring new work involving the knowledge or power gained in the past work which is being tested. The following are some of the principal things which we should test in the recitation:—