But there remains a fourth weighty precept, and one not altogether detachable from the third. It is this: “Lean upon the subject.” We have seen how the user of language, whether in writing or in speaking, works for himself; how he works for another individual too; but there is one more for whom his work is performed, one of greater consequence than any person, and that is his subject. From this comes his primary call. Those who in their utterance fix their thoughts on themselves, or on other selves, never reach power. That resides in the subject. There we must dwell with it and be content to have no other strength than its. When the frightened schoolboy sits down to write about Spring, he cannot imagine where the thoughts which are to make up his piece are to come from. He cudgels his brain for ideas. He examines his pen-point, the curtains, his inkstand, to see if perhaps ideas may not be had from these. He wonders what his teacher will wish him to say and he tries to recall how the passage sounded in the Third Reader. In every direction but one he turns, and that is the direction where lies the prime mover of his toil, his subject. Of that he is afraid. Now, what I want to make evident is that this subject is not in reality the foe, but the friend. It is his only helper. His composition is not to be, 99 as he seems to suppose, a mass of his laborious inventions, but it is to be made up exclusively of what the subject dictates. He has only to attend. At present he stands in his own way, making such a din with his private anxieties that he cannot hear the rich suggestions of the subject. He is bothered with considering how he feels, or what he or somebody else will like to see on his paper. This is debilitating business. He must lean on his subject, if he would have his writing strong, and busy himself with what it says rather than with what he would say. Matthew Arnold, in the important preface to his poems of 1853, contrasting the artistic methods of Greek poetry and modern poetry, sums up the teaching of the Greeks in these words: “All depends upon the subject; choose a fitting action, penetrate yourself with the feeling of its situations; this done, everything else will follow.” And he calls attention to the self-assertive and scatter-brained habits of our time. “How different a way of thinking from this is ours! We can hardly at the present day understand what Menander meant when he told a man who inquired as to the progress of his comedy that he had finished it, not having yet written a single line, because he had constructed the action of it in his mind. A modern critic would have assured him that the merit of his piece depended on the brilliant things which arose under his pen as he went along. I verily think that 100 the majority of us do not in our hearts believe that there is such a thing as a total-impression to be derived from a poem or to be demanded from a poet. We permit the poet to select any action he pleases and to suffer that action to go as it will, provided he gratifies us with occasional bursts of fine writing and with a shower of isolated thoughts and images.” Great writers put themselves and their personal imaginings out of sight. Their writing becomes a kind of transparent window on which reality is reflected, and through which people see, not them, but that of which they write. How much we know of Shakespeare’s characters! How little of Shakespeare! Of him that might almost be said which Isaiah said of God, “He hideth himself.” The best writer is the best mental listener, the one who peers farthest into his matter and most fully heeds its behests. Preëminently obedient is such a writer,—refinedly, energetically obedient. I once spent a day with a great novelist when the book which subsequently proved his masterpiece was only half written. I praised his mighty hero, but said I should think the life of an author would be miserable who, having created a character so huge, now had him in hand and must find something for him to do. My friend seemed puzzled by my remark, but after a moment’s pause said, “I don’t think you know how we work. I have 101 nothing to do with the character. Now that he is created he will act as he will.”
And such docility must be cultivated by every one who would write well, such strenuous docility. Of course there must be energy in plenty; the imagination which I described in my third section, the passion for solid form as in my second, the disciplined and daring powers as in my first; but all these must be ready at a moment’s notice to move where the matter calls and to acknowledge that all their worth is to be drawn from it. Religion is only enlarged good sense, and the words of Jesus apply as well to the things of earth as of heaven. I do not know where we could find a more compendious statement of what is most important for one to learn who would cultivate himself in English than the saying in which Jesus announces the source of his power, “The word which ye hear is not mine, but the Father’s which sent me.” Whoever can use such words will be a noble speaker indeed.
These then are the fundamental precepts which every one must heed who would command our beautiful English language. There is of course a fifth. I hardly need name it; for it always follows after, whatever others precede. It is that we should do the work, and not think about it; do it day after day and not grow weary in bad doing. Early and often we must be busy and be satisfied to have a great deal of 102 labor produce but a small result. I am told that early in life John Morley, wishing to engage in journalism, wrote an editorial and sent it to a paper every day for nearly a year before he succeeded in getting one accepted. We all know what a power he became in London journalism. I will not vouch for the truth of this story, but I am sure an ambitious author is wise who writes a weekly essay for his stove. Publication is of little consequence so long as one is getting one’s self hammered into shape.
But before I close this paper let me acknowledge that in it I have neglected a whole class of helpful influences, probably quite as important as any I have discussed. Purposely I have passed them by. Because I wished to show what we can do for ourselves, I have everywhere assumed that our cultivation in English is to be effected by naked volition and a kind of dead lift. These are mighty agencies, but seldom in this interlocked world do they work well alone. They are strongest when backed by social suggestion and unconscious custom. Ordinarily the good speaker is he who keeps good company, but increases the helpful influence of that company by constant watchfulness along the lines I have marked out. So supplemented, my teaching is true. By itself it is not true. It needs the supplementation of others. Let him who would speak or write well seek out good speakers and writers. Let him live in their society,—for the 103 society of the greatest writers is open to the most secluded,—let him feel the ease of their excellence, the ingenuity, grace and scope of their diction, and he will soon find in himself capacities whose development may be aided by the precepts I have given. Most of us catch better than we learn. We take up unconsciously from our surroundings what we cannot altogether create. All this should be remembered, and we should keep ourselves exposed to the wholesome words of our fellow men. Yet our own exertions will not on that account be rendered less important. We may largely choose the influences to which we submit; we may exercise a selective attention among these influences; we may enjoy, oppose, modify, or diligently ingraft what is conveyed to us,—and for doing any one of these things rationally we must be guided by some clear aim. Such aims, altogether essential even if subsidiary, I have sought to supply; and I would reiterate that he who holds them fast may become superior to linguistic fortune and be the wise director of his sluggish and obstinate tongue. It is as certain as anything can be that faithful endeavor will bring expertness in the use of English. If we are watchful of our speech, making our words continually more minutely true, free and resourceful; if we look upon our occasions of writing as opportunities for the deliberate work of unified construction; if in all our utterances we think of him who hears as well as of 104 him who speaks; and above all, if we fix the attention of ourselves and our hearers on the matter we talk about and so let ourselves be supported by our subject—we shall make a daily advance not only in English study, but in personal power, in general serviceableness and in consequent delight.
V
DOUBTS ABOUT UNIVERSITY EXTENSION[1]
A step has lately been taken in American education which excites the interest and hopes of us all. England has been our teacher,—England and a persuasive apostle from that country. A few years ago the English universities became discontented with their isolation. For generations they had been devoting themselves to a single class in the community, and that too a class which needed least to be brought to intelligence and power. The mass of the nation, those by whom its labor and commerce were conducted, had little access to Oxford and Cambridge. Poverty first, then social distinctions, and, until recent days, sectarian haughtiness barred them out. Their exclusion reacted on the training of the universities themselves. Conservatism flourished. The worth of an intellectual interest was rated rather by its traditional character than by its closeness to life. The sciences, latter-day things, were pursued hardly at all. The modern literatures, English included, had no place. Plato and Aristotle furnished most of the philosophy. While the rest of the world was deriving 106 from Germany methods of study, from France methods of exposition, and from America methods of treating all men alike as rational, English scholarship, based on no gymnasia, lycées, or high schools, went its way, little regarding the life of its nation or that of the world at large.
But there has come a change. Reformers have been endeavoring to go out and find the common man, and, in connection with him, to develop those subjects which before, according to university tradition, were looked at somewhat askance. English literature, political economy, modern history, have been put in the foreground of this popularized education. Far and wide throughout England an enthusiastic band of young teachers, under the guidance of officers of the universities, have been giving instruction in these subjects to companies in which social grades are for the time forgotten. And since public libraries are rare in England, and among the poorer classes the reading habit is but slightly formed, an ambitious few among the hearers have prized their opportunities sufficiently to undertake a certain amount of study and to hand in papers for the lecturer to inspect and to mark. In exceptional cases as many as one third of the audience have thus written exercises and passed examinations. The great majority of those in attendance during the three months’ term of course do nothing more than listen to the weekly lecture.
This is the very successful English movement which for some years has been exciting admiration the world over, and which it is proposed to introduce into the United States. Rightly to estimate its worth those aspects of it to which attention has just been directed should carefully be borne in mind. They are these: the movement is as much social as scholarly and accompanies a general democratic upheaval of an aristocratic nation; it springs up in the neighborhood of universities to which the common people do not resort, and in which those subjects which most concern the minds of modern men are little taught; in its country other facilities for enabling the average man to capture knowledge—public libraries, reading clubs, illustrated magazines, free high schools—are not yet general; it flourishes in a small and compact land, where a multitude of populous towns are in such immediate neighborhood and so connected by a network of railroads that he who is busied in one place to-day can, with the slightest fatigue and expense, appear in five other towns during the remaining days of the week.