Fig. 29.
Fig. 30.
Fig. 31.
Fig. 31 is a detail of a kind of gouge work which you must all know very well. One perpendicular cut of a gouge driven in with the mallet, and one side cut, should form one of these crescent or thimble-shaped holes. They should not be too deep in proportion to their size. Their combinations may be varied to a great extent. Two or three common ones are shown in the illustration. This form of ornament was in all likelihood invented by some ingenious carpenter with a turn for art and a limited stock of carving tools. His humble contribution to the resources of the carver's art has received its due share of the flattery which is implied by imitation. In all these patterns it is well to remember that the flat surface of the board left between the cuts is really the important thing to consider, as all variety is obtained by disposing the holes in such a way as to produce the pattern required by means of their outlines on the plain surface. Thus waved lines are produced as in Fig. 31, and little niches like mimic architecture as in Fig. 34, by the addition of the triangular-shaped holes at the top, and the splayed sills at the bottom. (It is obvious that an arrangement like the latter should never be turned upside down.) If this attention to the surface pattern is neglected the holes are apt to become mere confused and meaningless spots.