THE HEROINE
(From the newspaper critique of the play made from the book)
“The role of Faith Draycourt was ably interpreted by that accomplished and experienced actress, —— ——, who is well remembered by the older generation of theater-goers for her fine performance of Juliet in 1876 at the old Bowery Theater.”
LIII
An arm-chair beside a reading lamp is the only place for worth-while drama. If you are one of those who seriously contends that such drama should be acted in the theater, that the stage is the place for such work, that it stands a fair chance there, tell me what you think would happen to Hauptmann’s “Weavers” if, in that wonderful climax to the fifth act, the child actress playing Mielchen should accidentally drop her panties, or to “Hannele” if, at a moment of its poignant pathos, a shirt-sleeved Irish scene-shifter were plainly observable in the wings.... Think of Sudermann’s “Princess Far-Away” with a bad cold in her head and an obviously tender corn!
LIV
We hear much of the difference twixt the quality of London and New York theater audiences. It may be summed up in a single sentence. In London they do not put a chain on the dime-in-the-slot opera-glasses.
LV
A Shaw Play.—A moving-picture consisting entirely of explanatory titles.