In July 1810, the largest elephant ever seen in England was advertised as 'just arrived.' As soon as Henry Harris, the manager of Covent Garden Theatre, heard of it, he determined, if possible, to obtain it; for it struck him that if it were to be introduced into the new pantomime of 'Harlequin Padmenaba,' which he was about to produce at great cost, it would add greatly to its attraction. Under this impression, and before the proprietor of Exeter Change had seen it, he purchased it for the sum of 900 guineas. Mrs. Henry Johnston was to ride it, and Miss Parker, the columbine, was to play up to it. Young happened to be one morning at the box-office adjoining Covent Garden Theatre, when his ears were assailed by a strange and unusual uproar within the walls. On asking one of the carpenters the cause of it, he was told 'it was something going wrong with the elephant; he could not exactly tell what.' I am not aware what the usage may be nowadays, but then, whenever a new piece had been announced for presentation on a given night, and there was but scant time for its preparation, a rehearsal would take place after the night's regular performance was over, and the audience had been dismissed. One such there had been the night before my father's curiosity had been roused. As it had been arranged that Mrs. Henry Johnston, seated in a howdah on the elephant's back, should pass over a bridge in the centre of a numerous group of followers, it was thought expedient that the unwieldy monster's tractability should be tested. On stepping up to the bridge, which was slight and temporary, the sagacious brute drew back his fore-feet and refused to budge. It is well known as a fact in natural history that the elephant, aware of his unusual bulk, will never trust its weight on any object which is unequal to its support. The stage-manager, seeing how resolutely the animal resisted every attempt made to compel or induce it to go over the bridge in question, proposed that they should stay proceedings till next day, when he might be in a better mood. It was during the repetition of the experiment that my father, having heard the extraordinary sounds, determined to go upon the stage, and see if he could ascertain the cause of them. The first sight that met his eyes kindled his indignation. There stood the high animal, with downcast eyes and flapping ears, meekly submitting to blow after blow from a sharp iron goad, which his keeper was driving ferociously into the fleshy part of his neck, at the root of the ear. The floor on which he stood was converted into a pool of blood. One of the proprietors, impatient at what he regarded as senseless obstinacy, kept urging the driver to proceed to still severer extremities, when Charles Young, who was a great lover of animals, expostulated with him, went up to the poor patient sufferer, and patted and caressed him; and when the driver was about to wield his instrument again, with even still more vigour, he caught him by the wrist as in a vice, and stayed his hand from further violence. While an angry altercation was going on between Young and the man of colour, who was the driver, Captain Hay, of the Ashel, who had brought over 'Chuny' in his ship, and had petted him greatly on the voyage, came in and begged to know what was the matter. Before a word of explanation could be given, the much-wronged creature spoke for himself; for, as soon as he perceived the entrance of his patron, he waddled up to him, and, with a look of gentle appeal, caught hold of his hand with his proboscis, plunged it into his bleeding wound, and then thrust it before his eyes. The gesture seemed to say, as plainly as if it had been enforced by speech, 'See how these cruel men treat Chuny. Can you approve of it?' The hearts of the hardest present were sensibly touched by what they saw, and among them that of the gentleman who had been so energetic in promoting its harsh treatment. It was under a far better impulse that he ran out into the street, purchased a few apples at a stall, and offered them to him. Chuny eyed him askance, took them, threw them beneath his feet, and when he had crushed them to pulp, spurned them from him. Young, who had gone into Covent Garden on the same errand as the gentleman who had preceded him, shortly after re-entered, and also held out to him some fruit, when, to the astonishment of the bystanders, the elephant ate every morsel, and after he had done so, twined his trunk with studied gentleness around Young's waist, marking by his action that, though he had resented a wrong, he did not forget a kindness.
It was in the year 1814 that Harris parted with Chuny to Cross, the proprietor of the menagerie at Exeter Change. One of the purchaser's first acts was to send Charles Young a life ticket of admission to his exhibition; and it was one of his little innocent vanities, when passing through the Strand with any friend, to drop in on Chuny, pay him a visit in his den, and show the intimate relations which existed between them. Some years after, when the elephant's theatrical career was run, and he was reduced to play the part of captive in one of the cages of Exeter Change, a thoughtless dandy one day amused himself by teasing him with the repeated offer of lettuces—a vegetable for which he was known to have an antipathy. At last he presented him with an apple, but, at the moment of his taking it, drove a large pin into his trunk, and then sprang out of big reach. The keeper seeing that the poor creature was getting angry, warned the silly fellow off, lest he should become dangerous. With a contemptuous shrug of the shoulder, he trudged off to the other end of the gallery, and there displayed his cruel ingenuity on other humbler beasts, till, after the absence of half-an-hour, he once more approached one of the cages opposite the elephant's. By this time he had forgotten his pranks with Chuny, but Chuny had not forgotten him; and as he was standing with his back towards him, he thrust his proboscis through the bars of his prison, twitched off the offender's hat, dragged it in to him, tore it to shreds, then threw it into the face of the offending gaby, consummating his revenge with a loud guffaw of exultation. All present proclaimed their approbation of this act of retributive justice, and the discomfited coxcomb had to retreat from the scene in confusion, jump into a hackney coach, and betake himself to the hatter's in quest of a new tile for his unroofed skull. The tragic end of poor Chuny must be within the recollection of many of my readers. From some cause unknown he went mad, and after poison had been tried in vain it took 152 shots, discharged by a detachment of the Guards, to despatch him.[237]
The elephant in many respects displays strange peculiarities of emotional temperament. Thus Mr. Corse says:—'If a wild elephant happens to be separated from its young for only two or three days, though giving suck, she never after recognises or acknowledges it;'[238] yet the young one knows its dam, and cries plaintively for her assistance.
Again, in the wild state, the spirit of exclusiveness shown by members of a herd (i.e. family) towards elephants of other herds is remarkable. Sir E. Tennent writes:—
If by any accident an elephant becomes hopelessly separated from his own herd, he is not permitted to attach himself to any other. He may browse in the vicinity, or frequent the same place to drink and to bathe; but the intercourse is only on a distant and conventional footing, and no familiarity or intimate association is under any circumstances permitted. To such a height is this exclusiveness carried, that even amidst the terror of an elephant corral, when an individual, detached from his own party in the mêlée and confusion, has been driven into the enclosure with an unbroken herd, I have seen him repulsed in every attempt to take refuge among them, and driven off by heavy blows with their trunks as often as he attempted to insinuate himself within the circle which they had formed for common security. There can be no reasonable doubt that this jealous and exclusive policy not only contributes to produce, but mainly serves to perpetuate, the class of solitary elephants which are known by the term goondahs in India, and which from their vicious propensities and predatory habits are called Hora, or Rogues, in Ceylon.[239]
The emotional temper, or rather transformation of emotional psychology, which is exhibited by the Rogues here mentioned, is as extraordinary as it is notorious. From being a peaceable, sympathetic, and magnanimous animal, the elephant, when excluded from the society of its kind, becomes savage, cruel, and morose to a degree unequalled in any other animal. The repulsive accounts of the bloodthirsty rage and wanton destructiveness of Rogues show that their actions are not due to sudden bursts of fury at the sight of man or his works, but rather to a deliberate and brooding resolve to wage war on everything, so that the animal patiently lies in wait for travellers, rushing from his ambush only when he finds that the latter are within his power. As showing the cold-blooded determination of this murderous desire, I may quote the following case, as it was communicated to Sir E. Tennent:—
We had, says the writer, calculated to come up with the brute where it had been seen half an hour before; but no sooner had one of our men, who was walking foremost, seen the animal at the distance of some fifteen or twenty fathoms, than he exclaimed, 'There! there!' and immediately took to his heels, and we all followed his example. The elephant did not see us until we had run some fifteen or twenty paces from the spot where we turned, when he gave us chase, screaming frightfully as he came on. The Englishman managed to climb a tree, and the rest of my companions did the same; as for myself, I could not, although I made one or two superhuman efforts. But there was no time to be lost. The elephant was running at me with his trunk bent down in a curve towards the ground. At this critical moment Mr. Lindsay held out his foot to me, with the help of which and then of the branches of the tree, which were three or four feet above my head, I managed to scramble up to a branch. The elephant came directly to the tree and attempted to force it down, which he could not. He first coiled his trunk round the stem, and pulled it with all his might, but with no effect. He then applied his head to the tree, and pushed for several minutes, but with no better success. He then trampled with his feet all the projecting roots, moving, as he did so, several times round and round the tree. Lastly, failing in all this, and seeing a pile of timber, which I had lately cut, at a short distance from us, he removed it all (thirty-six pieces) one at a time to the root of the tree, and piled them up in a regular business-like manner; then placing his hind feet on this pile, he raised the fore part of his body, and reached out his trunk, but still he could not touch us, as we were too far above him. The Englishman then fired, and the ball took effect somewhere on the elephant's head, but did not kill him. It made him only the more furious. The next shot, however, levelled him to the ground. I afterwards brought the skull of the animal to Colombo, and it is still to be seen at the house of Mr. Armitage.[240]
Another highly curious trait in the emotional psychology of the elephant is the readiness with which the huge animal expires under the mere influence of what the natives call a 'broken heart.' The facts on this head are without a parallel in any other animal, and are the more remarkable from the fact that, so far as natural length of life is any token, the elephant may be said to have more vitality, or innate power of living, than any other terrestrial mammal. Again, to quote from Sir E. Tennent:—