London, 1884.

[xi]

CONTENTS.

CHAPTERPAGE
Introduction[1]
I.Structure of the Medusæ[10]
II.Fundamental Experiments[26]
III.Experiments in Stimulation[37]
IV.Experiments in Section of Covered-Eyed Medusæ[65]
V.Experiments in Section of Naked-Eyed Medusæ[104]
VI.Co-ordination[130]
VII.Natural Rhythm[146]
VIII.Artificial Rhythm[175]
IX.Poisons[213]
X.Star-Fish and Sea-Urchins[254]

[xii]

JELLY-FISH, STAR-FISH, AND
SEA-URCHINS.

INTRODUCTION.

Among the most beautiful, as well as the most common, of the marine animals which are to be met with upon our coasts are the jelly-fish and the star-fish. Scarcely any one is so devoid of the instincts either of the artist or of the naturalist as not to have watched these animals with blended emotions of the æsthetic and the scientific—feeling the beauty while wondering at the organization. How many of us who live for most of the year in the fog and dust of large towns enjoy with the greater zest our summer's holiday at the seaside? And in the memories of most of us is there not associated with the picture of breaking waves and sea-birds floating indifferently in the blue sky or on the water still more blue, the thoughts of many a ramble among the weedy rocks and living pools, where for the time being we all become naturalists, and where those who least know what they are likely to find in their search are most likely to approach the keen happiness of childhood? If so, the image of the red sea-stars bespangling a mile of shining sand, or decorating the darkness of a thousand grottoes, must be joined with the image, no less vivid, of those crystal globes pulsating with life and gleaming with all the colours of the rainbow, which are perhaps the most strange, and certainly in my estimation the most delicately lovely creatures in the world.

It is with these two kinds of creatures that the present work is concerned, and if it seems almost impious to lay the "forced fingers rude" of science upon living things of such exquisite beauty, let it be remembered that our human nature is not so much out of joint that the rational desire to know is incompatible with the emotional impulse to admire. Speaking for myself, I can testify that my admiration of the extreme beauty of these animals has been greatly enhanced—or rather I should say that this extreme beauty has been, so to speak, revealed—by the continuous and close observation which many of my experiments required: both with the unassisted eye and with the microscope numberless points of detail, unnoticed before, became familiar to the mind; the forms as a whole were impressed upon the memory; and, by constantly watching their movements and changes of appearance, I have grown, like an artist studying a face or a landscape, to appreciate a fulness of beauty, the esse of which is only rendered possible by the per cipi of such attention as is demanded by scientific research. Moreover, association, if not the sole creator, is at least a most important factor of the beautiful; and therefore the sight of one of these animals is now much more to me, in the respects which we are considering, than it can be to any one in whose memory it is not connected with many days of that purest form of enjoyment which can only be experienced in the pursuit of science.