"The floors are of cement, as hard as the best seen in the remains of Roman baths and cisterns. The walls are about ten feet high,—plastered,—and on each side of the principal entrance ornamented with medallions, of which the borders only remain,—these perhaps contained the busts of the Royal family. The separating-wall had apertures of about a foot, probably intended for purposes of ventilation. The builders were evidently ignorant of the principle of the ARCH, and the support (ceiling) was made by stones (blocks) lapping over as they rose, as at Ocosingo, and as among the Cyclopean remains in Greece and Italy." * * * * "From the centre door of this corridor a range of stone steps, thirty feet long, leads to a rectangular courtyard, eighty feet long by seventy broad. On each side of the steps are grim and gigantic figures carved on stone in basso relievo, nine or ten feet high, and in a position slightly inclined backward, from the end of the steps to the floor of the corridor. They are adorned with head-dresses and necklaces, but their attitude is that of pain and trouble. The design and anatomical proportion of the figures are faulty, but there is a force of expression about them which shews the skill and conceptive power of the artist. On each side of the courtyard of the Palace (Temple) are divided apartments, probably for sleeping. (?) On the right, the piers have all fallen down. On the left they are still standing and ornamented with stucco figures. In the centre apartment, in one of the holes, are the remains of a wooden pole, about a foot long, which once stretched across, but the rest had decayed. It was the only piece of wood (worked) we found at Palenque, and we did not discover this until some time after we had made up our minds in regard to the wooden lintels over the doors. It was much worm-eaten, and probably in a few years not a vestige will be left. At the farther side of the courtyard was another flight of stone steps, corresponding with those in front, on each side of which are carved figures, and on the flat surface between are single cartouches of hieroglyphics." * * * * * * "In the further corridor the wall was in some places broken, and had SEVERAL separate coats of plaister and paint. [Proofs of different periods] In one place we counted six layers, each of which had the remains of colours. This corridor opened to a second courtyard, eighty feet long, and but thirty across. The floor of the corridor was ten feet above that of the courtyard, and on the wall underneath were square stones with hieroglyphics sculptured upon them. On the piers were stuccoed figures, but in a ruined condition. On the other side of the courtyard were two ranges of corridors, which terminated the building in this direction. The first of them is divided into three apartments, with doors opening from the extremities upon the western corridor. All the piers are standing excepting that on the north-west corner. All are covered with stucco ornaments, and one with hieroglyphics. The rest contain figures in bas relief." * * * "There are several distinct and independent buildings. [Within the confines of the Temple] The principal of these is the Tower, on the south side of the second court. This Tower is conspicuous by its height and proportions: the base is thirty feet square, and it has three stories. Entering over a heap of rubbish at the base, we found within another Tower, distinct from the outer one, and a stone staircase, so narrow that a large man could not ascend it. The staircase terminates against a dead stone ceiling, closing all further passage. The whole Tower was a substantial stone structure, and in its arrangements and purposes about as incomprehensible as the sculptured tablets. East of the Tower is another building, with two corridors, one richly decorated with pictures in stucco, and having in the centre an elliptical tablet. It is four feet long and three wide, of hard stone, set in the wall, and the SCULPTURE is in bas relief. Around it are the remains of a rich stucco border. The principal figure sits cross-legged (i. e. orientally) on a couch, ornamented with two leopards' heads: the attitude is easy, the physiognomy the same as that of the other personages, and the expression calm and benevolent. The figure wears around its neck a necklace of pearls [beads of gold?] to which is suspended a small medallion containing a face, perhaps for an image of the Sun."
From the positive radii around the medallion (as presented by the artist) there can be no hesitation in distinctly stating that it was intended for an "image of the Sun." This is essential in identifying the analogy of Religious worship: it also gives further authority for the belief that this edifice was a Temple, and not a Palace. The Tower of Palenque also aids this belief, for from its locality it would seem to have been used as a modern oriental minaret, from which the priests summoned the people to prayer.
"Like every subject of sculpture we had seen in this country, the personage had earrings, bracelets on the wrists, and a girdle round the loins. The head-dress differs from most of the others at Palenque in that it wants the plume of feathers. Near the head are three hieroglyphics. The other figure, which seems that of a woman is sitting cross-legged [kneeling?] on the ground, richly dressed, and apparently in the act of making an offering. In this supposed offering is seen a plume of feathers, in which the head-dress of the principal personage is deficient. Over the head of the sitting personage are four hieroglyphics. This is the only piece of Sculptured Stone about the the Palace (Temple) except those in the courtyard. Under it formerly stood a table [altar?] of which the impression against the wall is still visible."
It will be observed that the above Sculpture is the only one in Stone in the interior of the Temple; and from the image of the Sun suspended from the neck of the principal figure, whose countenance is "calm and benevolent," and the richly-attired kneeling figure making an offering, the Sculpture seems to represent the Apollo of the Aborigines receiving a tributary gift. The "Table" underneath and in front, is in the very position of an Altar-table, upon which may have been placed the votive offerings of the living, in imitation of the Sculpture above the Altar. In a similar manner the more modern altar of the Christians is placed, for it is stationed beneath the artistical object of worship or the tables of the Decalogue. A painting over a Christian altar, of the Magii adoring the Infant Saviour, and thereby calling for similar worship from the living, will completely illustrate the sculptured altar-piece of Palenque. We think that this will be admitted, and being so it establishes that this great edifice was one of the chief Temples of the Aborigines, erected by them for the worship of their God of light and heat—viz., the Sun.
This may then have been the Mecca-shrine of the Kingdom, to which all the nation made their annual pilgrimage; and especially do we believe this to have been the case, from the fact of the stucco being placed upon the stone, and the former illustrating a later Religion than that proved by the stone-sculpture; and the Religion being partially changed (as will be shewn hereafter), still it was the chief Temple for the assemblage of the people, and from which, perhaps, from the Tower of the Temple, was promulgated not only any change in the form of Religious worship, but also in the Laws of the country. Every thing indicates that this edifice was the Aboriginal Temple of the Sun: if it was the Palace, again would we ask, where is the Temple? for in all ancient nations, the edifice in which was performed the Religion of the country, was of more importance than any earthly residence. Jerusalem, Athens, and Rome, possessed the Temple, the Parthenon, the Capitol, and the Pantheon; Tyrus, Carthage, and Palmyra, their gorgeous Temple to Apollo (i. e. the Sun); Italy, England, and France, justly boast of their Churches sacred to St. Peter, St. Paul, and the Mother of the Saviour!—and the great Mahommedan family point with religious joy to the Shrine at Mecca; and why then should the Aborigines of the Western Hemisphere be an exception?
The jewelled Temples of the Sun (i. e. of Apollo), that in Mexico and Peru tempted the blood-stained feet of Cortez and Pizarro, were but the types of the original at Palenque; for the latter was in ruins when the Spanish pirates landed, and none of their historians even allude to the desolation of past ages, so engrossed were they with that of their own!
Another description of a piece of Sculpture (in stucco) upon a building near the Temple of Palenque, will be reserved for illustrating a powerful similitude to a Tyrian branch of worship. This will receive a full investigation in the chapter devoted to the national Analogies.
On the map of the Ruins of Palenque, and in the descriptions (as furnished in Mr. Stephens's work), the Temple, and five other edifices, all rise from a pyramidal base, having four sides; this fact will again be brought forward in refutation of one of his architectural conclusions.