These stains, although their brilliancy may perhaps decay with time, being thus fixed in the flesh, are of course indelible, just as much as the marks of a similar nature which our own sailors frequently make on their arms and breasts, by introducing gunpowder under the skin. One effect, we are told, which they produce on the countenances of the New Zealanders, is to conceal the ravages of old age. Being thus permanent when once imprinted, each becomes also the peculiar distinction of the individual to whom it belongs, and is probably sometimes employed by him as his mark or sign manual. An officer belonging to the "Dromedary," who happened to have a coat of arms engraved on his seal, was frequently asked by the New Zealanders if the device was his "amoco." When the missionaries purchased a piece of land from one of the Bay of Islands chiefs, named Gunnah,[[X]] a copy of the tattooing on the face of the latter, being drawn by a brother chief, was affixed to the grant as his signature; while another native signed as a witness, by adding the "amoco" of one of his own cheeks.
Moko on woman's lips and chin. Moko on man's face.
This is certainly a more perfect substitute for a written name than that said to have been anciently in use in some parts of Europe. In Russia, for example, it is affirmed that in old times the way in which an individual generally gave his signature to a writing was by covering the palm of his hand with ink, and then laying it on the paper. Balbi, who states this, adds that the Russian language still retains an evidence of the practice in its phrase for signing a document, which is roukou prilojite, signifying, literally, to put the hand to it. It may be remarked, however, that this is a form of expression even in our own country; although there is certainly no trace of the singular custom in question having ever prevailed among our ancestors. Whatever may be the fact as to the Russian idiom, our own undoubtedly refers merely to the application of the hand with the pen in it. Each chief appears to be intimately acquainted with the peculiarities of his own "amoco."
There is also in the possession of the Church Missionary Society a bust of Shungie, cut in a very hard wood by himself, with a rude iron instrument of his own fabrication, on which the tattooing on his face is exactly copied.
The tattooing of the young New Zealander, before he takes his rank as one of the warriors of his tribe, is doubtless also intended to put his manhood to the proof; and may thus be regarded as having the same object with those ceremonies of initiation, as they have been called, which are practised among some other savage nations on the admission of an individual to any new degree of honour or chieftainship.
Among many nations of the American Indians, indeed, this cutting and marking of the person is one of the principal inflictions to which the aspirant is required to submit on such occasions. Thus, in the account which Rochefort, in his "History of the Antilles," gives us of the initiation of a warrior among the people of those islands, it is stated that the father of the young man, after a very rude flagellation of his son, used to proceed to scarify (as he expresses it) his whole body with a tooth of the animal called the "acouti"; and then, in order to heal the gashes thus made, he rubbed into them an infusion of pimento, which occasioned an agonizing pain to the poor patient; but it was indispensable that he should endure the whole, adds our author, without the least contortion of countenance or any other evidence of suffering.
Wherever, indeed, the spirit of war has entered largely into the institutions of a people, as it has almost always done among savage and imperfectly civilized nations, we find traces of similar observances. Something of the same object which has just been attributed to the tattooing of the New Zealanders, and the more complicated ceremonies of initiation practised among the American Indians, may be recognised even in certain of the rites of European chivalry, whether we take them as described in the learned volumes of Du Cange, or in the more amusing recitals of Cervantes.
The New Zealanders, like many other savages, are also in the habit of anointing themselves with a mixture of grease and red ochre. This sort of rouge is very much used by the women, and "being generally," says Cook, "fresh and wet upon their cheeks and foreheads, was easily transferred to the noses of those who thought fit to salute them; and that they were not wholly averse to such familiarity, the noses of several of our men strongly testified." "The faces of the men," he adds, "were not so generally painted; yet we saw one, whose whole body, and even his garments, were rubbed over with dry ochre, of which he kept a piece constantly in his hand, and was every minute renewing the decoration in one part or another, where he supposed it was become deficient."