The growth of cigar-smoking was rapid. Mr. Steinmetz, in his book on "Tobacco," published in 1857, remarked that no way of using tobacco had made a more striking advance in England within the preceding twenty years than cigars. For a long time it had been confined in this country to the richer class of smokers, but when he wrote it was "in universal use." The wonder is that with so many men smoking cigars the old domestic and club restrictions, as pilloried in Thackeray's pages, were maintained so long. In 1853 Leech had an admirably drawn sketch in Punch of paterfamilias, in the absence of his wife, giving a little dinner. Beside him sits his small son, and on either side of the table sit two of his cronies. One has a cigar in his hand and is blowing a cloud of smoke, while the other is selecting a "weed." The host is just lighting his cigar as the maid enters with a tray of decanters and glasses, and with disgust written plainly on her face. The objectionable child beside him says—"Lor! Pa, are you going to smoke? My eye! won't you catch it when Ma comes home, for making the curtains smell!"
Another witness to the rapid development of cigar-smoking is Captain Gronow, the author of the well-known "Reminiscences." Gronow says that the famous surgeon, Sir Astley Cooper, on one occasion perceiving that he was fond of smoking, cautioned him against that habit, telling him that it would, sooner or later, be the cause of his death. This must have been before 1841, when Sir Astley died. Writing in the 'sixties Gronow said: "If Sir Astley were now alive he would find everybody with a cigar in his mouth: men smoke nowadays whilst they are occupied in working or hunting, riding in carriages, or otherwise employed"—which shows how the prejudice against outdoor smoking was then breaking down. "During the experience of a long life, however," continued Gronow, "I never knew but one person of whom it was said that smoking was the cause of his death: he was the son of an Irish earl, and an attaché at our embassy in Paris. But, alas! I have known thousands who have been carried off owing to their love of the bottle."
Thackeray, as the satirist of the foolish social prejudices against smoking, was naturally an inveterate smoker himself. He died in 1863, and so hardly saw the beginning of a change in the attitude of society towards the pestilent weed; but he was one of the many men of letters and artists, who, despising the conventions of society, were largely instrumental in breaking down stupid restrictions, and in overcoming senseless prejudices, and were thus heralds of freedom. Charles Keene's attitude was that of many artists. He smoked a little Jacobean clay pipe in his "sky-parlour" overlooking the Strand, and did not care in the least what the world might think or not think about that or any other subject.
Those who smoked pipes at Cambridge continued to smoke pipes afterwards, whatever "society" might do. Spedding, who spent his life on the elucidation of Bacon, was one of the "Apostles," and he continued a pipe-lover to the end. In 1832 we hear of Tennyson being in London with him, and "smoking all the day."
Lady Ritchie, in "Tennyson and his Friends," says: "I can remember vaguely, on one occasion through a cloud of smoke, looking across a darkening room at the noble, grave head of the Poet Laureate. He was sitting with my Father in the twilight after some family meal in the old house in Kensington." Thackeray was a cigar-smoker, but Tennyson was a devotee of the pipe. It was on this occasion, as the poet himself reminded Thackeray's daughter, that while the novelist was speaking, Lady Ritchie's little sister "looked up suddenly from the book over which she had been absorbed, saying in her sweet childish voice, 'Papa, why do you not write books like 'Nicholas Nickleby'?'"
Tennyson wrote "In Memoriam" at Shawell Rectory, near Lutterworth, Leicestershire. The rector was a Mr. Elmhirst, a native of the poet's Lincolnshire village. The latest historian of Lutterworth says that "The great puffs of tobacco smoke with which he [Tennyson] mellowed his thoughts, proved insufferable to his host, and he was accordingly turned out into Mr. Elmhirst's workshop in the garden, which in consequence became the birthplace of one of the gems of English literature."
About 1842, when Tennyson often dined at the Old Cock (by Temple Bar) and at other taverns, the perfect dinner for his taste, says his son, was "a beef-steak, a potato, a cut of cheese, a pint of port, and afterwards a pipe (never a cigar)." When the Kingsleys paid the Tennysons a visit about 1859, Charles Kingsley, so the Laureate told his son, "talked as usual on all sorts of topics, and walked hard up and down the study for hours smoking furiously, and affirming that tobacco was the only thing that kept his nerves quiet." The late Laureate, Alfred Austin, once asked Tennyson, after reading a passage in Dorothy Wordsworth's "Journal" that William had gone to bed "very tired" with writing the "Prelude," if he had ever felt tired by writing poetry. "I think not," said the poet, "but tired with the accompaniment of too much smoking."
Kingsley's devotion to smoke seems to have surprised Tennyson, who was no light smoker himself. The most curious story illustrating Kingsley's love of tobacco is that told in the life of Archbishop Benson by his son, Mr. A.C. Benson. One day about the year 1860, the future archbishop was walking with the Rector of Eversley in a remote part of the parish, on a common, when Kingsley suddenly said—"I must smoke a pipe," and forthwith went to a furze-bush and felt about in it for a time. Presently he produced a clay churchwarden pipe, "which he lighted, and solemnly smoked as he walked, putting it when he had done into a hole among some tree roots, and telling my father that he had a cache of pipes in several places in the parish to meet the exigencies of a sudden desire for tobacco." If this story did not appear in the life of an archbishop, some scepticism on the part of the reader might be excused.
Carlyle, as every one knows, was a great smoker. The story is familiar—it may be true—that one evening he and Tennyson sat in solemn silence smoking for hours, one on each side of the fireplace, and that when the visitor rose to go, Carlyle, as he bade him good-night, said—"Man, Alfred, we hae had a graund nicht; come again soon."
Tennyson's own devotion to tobacco led, on at least one occasion, to a peculiar and somewhat questionable proceeding. Mr. W.M. Rossetti had a temporary acquaintance with the poet, and in the "Reminiscences" which he published in 1906, he told a curious anecdote concerning him which was new to print. Rossetti told, on the authority of Woolner, how, in the course of a trip with friends to Italy, tobacco such as Tennyson could smoke gave out at some particular city, whereupon the poet packed up his portmanteau and returned home, breaking up the party! The late Joseph Knight, who reviewed Rossetti's volumes in the Athenæum, vouched for the truth of this relation, which he had heard, not only from Woolner, but also from Tennyson's brother Septimus.