Balvardo drew his stout form to its full height, and bent the darkness of his beetle-brows, upon the deformed Doomsman, and Hugo, clad in armor of shining steel, like his comrade, started nervously aside, as his squinting eyes were fixed upon the distorted face, the wide mouth, opening with a hideous grin, the retreating brow and the large, vacant, yet flashing eyes, that marked the visage of the Executioner of Florence. A dress made of coarsest serge, hung rather than fitted around his deformed figure, while a long-bladed knife, with handle of unshapen bone, glittered in the belt of dark leather that girdled his body.

“Sir Doomsman, thou art merry—” growled Balvardo—“Choose other scenes for thy merry humor—this dark corridor, with shadows of gloom in the distance, and the flickering light of yon smoking cresset, making the old walls yet more gloomy, around us, is no place for thy magpie laugh. No more such sounds of grave-yard merriment or—we quarrel, mark ye.”

“We quarrel, mark ye!” echoed the sinister-eyed Hugo, gravely dropping the end of his pike on the pavement.

“St. Judas! My brave men of mettle are wondrous fiery, this quiet night! Ha—ha—pardon Sir Balvardo, I meant not to anger ye! Yet dost thou know that it makes my veins fill with new blood! and my heart warm with a strange fire.”

“Thy veins fill with new blood! Ha—ha—ha!—Did’st ever hear of a withered vine, blackened by flame, bearing ripe grapes, or was ever a dead toad perfumed by the south wind? Hugo, his heart warms with a strange fire? Odor o’ pitch and brimstone, what a fancy! Ha—ha—”

“Nay, nay, Balvardo. There is some life in the Doomsman’s veins. Don’t doubt it? Just fancy those talons, which he calls fingers, clutched round thy throat—W-h-e-w!”

“I say it makes my veins fill with new blood, my heart warm with a strange fire—this matchless picture! A gallant Lord, with the warm flush of youth on his cheek, strength in his limbs and fire in his heart, stretched out upon the wheel—here a hand is corded to the wheel, and there another, here a foot is bound to the spokes and there another. He looks like the cross of Saint Andrew—by St. Judas. A merry fancy—eh! Balvardo? Stretched out upon the wheel, he looks with his bloodshot eyes to the heavens. See’s he any hope there? Laid on his back, he casts his last long glance aside over the multitude—the vile mob. See’s he a face of pity there! Hears he a voice of mercy? None—none! Earth curses, heaven forsakes, hell yawns! And he is of noble blood, and on his brow there sits the frown of a lofty line. While the mob hoot, the victim holds his breath, and I—I the Doomsman approach!”

“God’s death—he makes my blood chill!” muttered Hugo, glancing askance at his comrade, who stood silent biting his compressed lip.

“He writhes, for the hissing of the cauldron of hot lead falls on his ear, he feels his flesh creep, for the red hot glare of the blazing iron with its jagged point blinds his eyes as he gazes! He utters no moan—but he hears the beating of his own heart.

“He hears a step—a low and cat-like step—’tis mine, the Doomsman’s step. The red-hot iron in one hand, the ladle filled with melted lead, hot and seething lead in the other, nay, start not, nor wince, good Balvardo—’tis no fancy picture.”