Post-Revolutionary Writers.
When we became an independent nation, literature naturally felt the impulse and inspiration of the new national life. Poets and novelists came up of a higher type than their ante-revolutionary predecessors; writers like Dwight, Hopkinson, Trumbull, Barlow, Brockden Brown, and Paine. But no one of these attained the rank of genius, nor did any of them establish a great reputation; and if they are remembered at all, it is rather by happy isolated pieces than by the general excellence of their works. The American novels of the last century, unlike the English novels of Swift, Fielding, and Goldsmith, have one and all passed into oblivion.
William Cullen Bryant.
The position of American literature in 1886 may, especially in the departments of history and poetry, fairly bear comparison with that of England. Yet the first really great American authors, if we except the theological and political writers of whom mention has been made, published their first works at a period quite within the memory of men still living. Our first great poet was William Cullen Bryant, who survived to old age to observe to what vast proportions our literary productions, both in quality and quantity, had grown. Our first great biographer and essayist, Washington Irving, may be remembered as living by the man of thirty-five. Our first eminent novelist, James Fenimore Cooper, would only be ninety-seven if he were still among us. And our first great historian, Prescott, died but twenty-seven years ago.
Rise of American Poetry.
The new career of American letters, indeed, may be said to have been begun when William Cullen Bryant published "Thanatopsis," in the year 1816. Our writers then began to feel the influence of the vigorous schools of English poetry of which Byron, Wordsworth, and Coleridge were the shining lights. Like these, our own writers shook off the poetic dominion of Pope, and declared form to be subordinate to the thought and the feeling. Bryant, the enthusiastic disciple of Wordsworth, set the bold example, and from that moment American literature received an element of vitality which was given it its noble and rapid growth. It is almost always the case that, in young nations, poetry is the first branch of letters to be developed. The earliest masterpieces of Greek and English literature are the "Iliad," the "Canterbury Tales," and the "Faerie Queene." Perhaps the best German literature before Lessing, worth remembering, was the songs of the Minnesinger.
Earlier Poets.
Later Posts.
In the United States, Bryant was soon followed by a succession of poets whose productions clearly revealed the magnetism of the English revival, and gave promise of the rise of that poetic art which we have seen reach its culmination in our own day. Richard H. Dana wrote the "Buccaneer"; Fitz-Greene Halleck, "Marco Bozarris"; Edgar A. Poe "The Raven"; the painter Allston turned easily from brush to pen, and added more than one fine poem to our literature; Emerson rose to found a school of transcendental poetry as well as philosophy; N.P. Willis became the lyrical likeness of Moore on this side of the Atlantic; Percival reached a brief popularity, and wrote some things well worthy of remembrance; and the banker-poet Sprague filled a worthy place in our group of bards. In the next generation came the poets of the highest culture and most widely extended popularity: Henry Wadsworth Longfellow, John Greenleaf Whittier, James Russell Lowell, and Oliver Wendell Holmes.
Historians.