Adela Cathcart, Volume 2

by George MacDonald

CHAPTER IV.

THE EVENING AT THE CURATE'S.

As I led Adela, well wrapped in furs, down the steps to put her into the carriage, I felt by the wind, and saw by the sky, that a snowstorm was at hand. This set my heart beating with delight, for after all I am only what my friends call me—an old boy; and so I am still very fond of snow and wind. Of course this pleasure is often modified by the recollection that it is to most people no pleasure, and to some a source of great suffering. But then I recover myself by thinking, that I did not send for the snow, and that my enjoyment of it will neither increase their pains nor lessen my sympathies. And so I enjoy it again with all my heart. It is partly the sense of being lapt in a mysterious fluctuating depth of exquisite shapes of evanescent matter, falling like a cataract from an unknown airy gulf, where they grow into being and form out of the invisible—well-named by the prophet Job—for a prophet he was in the truest sense, all-seated in his ashes and armed with his potsherd—the womb of the snow; partly the sense of motion and the goings of the wind through the etherial mass; partly the delight that always comes from contest with nature, a contest in which no vile passions are aroused, and no weak enemy goes helpless to the ground. I presume that in a right condition of our nervous nature, instead of our being, as some would tell us, less exposed to the influences of nature, we should in fact be altogether open to them. Our nerves would be a thorough-fare for Nature in all and each of her moods and feelings, stormy or peaceful, sunshiny or sad. The true refuge from the slavery to which this would expose us, the subjection of man to circumstance, is to be found, not in the deadening of the nervous constitution, or in a struggle with the influences themselves, but in the strengthening of the moral and refining of the spiritual nature; so that, as the storms rave through the vault of heaven without breaking its strong arches with their winds, or staining its etherial blue with their rain-clouds, the soul of man should keep clear and steady and great, holding within it its own feelings and even passions, knowing that, let them moan or rave as they will, they cannot touch the nearest verge of the empyrean dome, in whose region they have their birth and being.

For me, I felt myself now, just an expectant human snow-storm; and as I sat on the box by the coachman, I rejoiced to greet the first flake, which alighted on the tip of my nose even before we had cleared our own grounds. Before we had got up street, the wind had risen, and the snow thickened, till the horses seemed inclined to turn their tails to the hill and the storm together, for the storm came down the hill in their faces. It was soon impossible to see one's hand before one's eyes; and the carriage lamps served only to reveal a chaotic fury of snow-flakes, crossing each other's path at all angles, in the eddies of the wind amongst the houses. The coachman had to keep encouraging his horses to get them to face it at all. The ground was very slippery; and so fast fell the snow, that it had actually begun to ball in the horses' feet before we reached our destination. When we were all safe in Mrs. Armstrong's drawing-room, we sat for a while listening to the wind roaring in the chimney, before any of us spoke. And then I did not join in the conversation, but pleased myself with looking at the room; for next to human faces, I delight in human abodes, which will always, more or less, according to the amount of choice vouchsafed in the occupancy, be like the creatures who dwell in them. Even the soldier-crab must have some likeness to the snail of whose house he takes possession, else he could not live in it at all.

The first thing to be done by one who would read a room is, to clear it as soon as possible of the air of the marvellous, the air of the storybook, which pervades every place at the first sight of it. But I am not now going to write a treatise upon this art, for which I have not time to invent a name; but only to give as much of a description of this room as will enable my readers to feel quite at home with us in it, during our evening there. It was a large low room, with two beams across the ceiling at unequal distances. There was only a drugget on the floor, and the window curtains were scanty. But there was a glorious fire on the hearth, and the tea-board was filled with splendid china, as old as the potteries. The chairs, I believe, had been brought from old Mr. Armstrong's lumber-room, and so they all looked as if they could tell stories themselves. At all events they were just the proper chairs to tell stories in, and I could not help regretting that we were not to have any to-night. The rest of the company had arrived before us. A warm corner in an old-fashioned sofa had been prepared for Adela, and as soon as she was settled in it, our hostess proceeded to pour out the tea with a simplicity and grace which showed that she had been just as much a lady when carrying parcels for the dressmaker, and would have been a lady if she had been a housemaid. Such a women are rare in every circle, the best of every kind being rare. It is very disappointing to the imaginative youth when, coming up to London and going into society, he finds that so few of the men and women he meets, come within the charmed circle of his ideal refinement.

I said to myself: "I am sure she could write a story if she would. I must have a try for one from her."

When tea was over, she looked at her husband, and then went to the piano, and sang the following ballad:

"'Traveller, what lies over the hill?
Traveller, tell to me:
I am only a child—from the window-sill
Over I cannot see.'
"'Child, there's a valley over there,
Pretty and woody and shy;
And a little brook that says—'take care,
Or I'll drown you by and by.'
"'And what comes next?' 'A little town;
And a towering hill again;
More hills and valleys, up and down,
And a river now and then.'
"'And what comes next?' 'A lonely moor,
Without a beaten way;
And grey clouds sailing slow, before
A wind that will not stay.'
"'And then?' 'Dark rocks and yellow sand,
And a moaning sea beside.'
'And then?' 'More sea, more sea more land,
And rivers deep and wide.'
"'And then?' 'Oh! rock and mountain and vale,
Rivers and fields and men;
Over and over—a weary tale—
And round to your home again.'
"'Is that the end? It is weary at best.'
'No, child; it is not the end.
On summer eves, away in the west,
You will see a stair ascend;
"'Built of all colours of lovely stones—
A stair up into the sky;
Where no one is weary, and no one moans,
Or wants to be laid by.'
"'I will go.' 'But the steps are very steep:
If you would climb up there,
You must lie at its foot, as still as sleep,
And be a step of the stair,
"'For others to put their feet on you,
To reach the stones high-piled;
Till Jesus comes and takes you too,
And leads you up, my child!'"

"That is one of your parables, I am sure, Ralph," said the doctor, who was sitting, quite at his ease, on a footstool, with his back against the wall, by the side of the fire opposite to Adela, casting every now and then a glance across the fiery gulf, just as he had done in church when I first saw him. And Percy was there to watch them, though, from some high words I overheard, I had judged that it was with difficulty his mother had prevailed on him to come. I could not help thinking myself, that two pairs of eyes met and parted rather oftener than any other two pairs in the room; but I could find nothing to object.

"Now, Miss Cathcart, it is your turn to sing."