Adela Cathcart, Volume 3

by George MacDonald

"About midnight, after a calm frosty day, for it was now winter, a terrible storm of wind and snow came on. The tempest howled frightfully about the house of the painter, and Wolkenlicht found some solace in listening to the uproar, for his troubled thoughts would not allow him to sleep. It raged on all the next three days, till about noon on the fourth day, when it suddenly fell, and all was calm. The following night, Wolkenlicht, lying awake, heard unaccountable noises in the next house, as of things thrown about, of kicking and fighting horses, and of opening and shutting gates. Flinging wide his lattice and looking out, the noise of howling dogs came to him from every quarter of the town. The moon was bright and the air was still. In a little while he heard the sounds of a horse going at full gallop round the house, so that it shook as if it would fall; and flashes of light shone into his room. How much of this may have been owing to the effect of the drugs on poor Lottchen's brain, I leave my readers to determine. But when the family met at breakfast in the morning, Teufelsbuerst, who had been already out of doors, reported that he had found the marks of strange feet in the snow, all about the house and through the garden at the back; stating, as his belief, that the tracks must be continued over the roofs, for there was no passage otherwise. There was a wicked gleam in his eye as he spoke; and Lilith believed that he was only trying an experiment on Karl's nerves. He persisted that he had never seen any footprints of the sort before. Karl informed him of his experiences during the night; upon which Teufelsbuerst looked a little graver still, and proceeded to tell them that the storm, whose snow was still covering the ground, had arisen the very moment that their next door neighbour died, and had ceased as suddenly the moment he was buried, though it had raved furiously all the time of the funeral, so that 'it made men's bodies quake and their teeth chatter in their heads.' Karl had heard that the man, whose name was John Kuntz, was dead and buried. He knew that he had been a very wealthy, and therefore most respectable, alderman of the town; that he had been very fond of horses; and that he had died in consequence of a kick received from one of his own, as he was looking at his hoof. But he had not heard that, just before he died, a black cat 'opened the casement with her nails, ran to his bed, and violently scratched his face and the bolster, as if she endeavoured by force to remove him out of the place where he lay. But the cat afterwards was suddenly gone, and she was no sooner gone, but he breathed his last.'

"So said Teufelsbuerst, as the reporter of the town talk. Lilith looked very pale and terrified; and it was perhaps owing to this that the painter brought no more tales home with him. There were plenty to bring, but he heard them all and said nothing. The fact was that the philosopher himself could not resist the infection of the fear that was literally raging in the city; and perhaps the reports that he himself had sold himself to the devil had sufficient response from his own evil conscience to add to the influence of the epidemic upon him. The whole place was infested with the presence of the dead Kuntz, till scarce a man or woman would dare to be alone. He strangled old men; insulted women; squeezed children to death; knocked out the brains of dogs against the ground; pulled up posts; turned milk into blood; nearly killed a worthy clergyman by breathing upon him the intolerable airs of the grave, cold and malignant and noisome; and, in short, filled the city with a perfect madness of fear, so that every report was believed without the smallest doubt or investigation.

"Though Teufelsbuerst brought home no more of the town talk, the old servant was a faithful purveyor, and frequented the news-mart assiduously. Indeed she had some nightmare experiences of her own that she was proud to add to the stock of horrors which the city enjoyed with such a hearty community of goods. For those regions were not far removed from the birthplace and home of the vampire. The belief in vampires is the quintessential concentration and embodiment of all the passion of fear in Hungary and the adjacent regions. Nor, of all the other inventions of the human imagination, has there ever been one so perfect in crawling terror as this. Lilith and Karl were quite familiar with the popular ideas on the subject. It did not require to be explained to them, that a vampire was a body retaining a kind of animal life after the soul had departed. If any relation existed between it and the vanished ghost, it was only sufficient to make it restless in its grave. Possessed of vitality enough to keep it uncorrupted and pliant, its only instinct was a blind hunger for the sole food which could keep its awful life persistent—living human blood. Hence it, or, if not it, a sort of semi-material exhalation or essence of it, retaining its form and material relations, crept from its tomb, and went roaming about till it found some one asleep, towards whom it had an attraction, founded on old affection. It sucked the blood of this unhappy being, transferring so much of its life to itself as a vampire could assimilate. Death was the certain consequence. If suspicion conjectured aright, and they opened the proper grave, the body of the vampire would be found perfectly fresh and plump, sometimes indeed of rather florid complexion;—with grown hair, eyes half open, and the stains of recent blood about its greedy, leech-like lips. Nothing remained but to consume the corpse to ashes, upon which the vampire would show itself no more. But what added infinitely to the horror was the certainty that whoever died from the mouth of the vampire, wrinkled grandsire or delicate maiden, must in turn rise from the grave, and go forth a vampire, to suck the blood of the dearest left behind. This was the generation of the vampire brood. Lilith trembled at the very name of the creature. Karl was too much in love to be afraid of anything. Yet the evident fear of the unbelieving painter took a hold of his imagination; and, under the influence of the potions of which he still partook unwittingly, when he was not thinking about Lilith, he was thinking about the vampire.

"Meantime, the condition of things in the painter's household continued much the same for Wolkenlicht—work all day; no communication between the young people; the dinner and the wine; silent reading when work was done, with stolen glances many over the top of the book, glances that were never returned; the cold good-night; the locking of the door; the wakeful night and the drowsy morning. But at length a change came, and sooner than any of the party had expected. For, whether it was that the impatience of Teufelsbuerst had urged him to yet more dangerous experiments, or that the continuance of those he had been so long employing had overcome at length the vitality of Wolkenlicht—one afternoon, as he was sitting at his work, he suddenly dropped from his chair, and his master hurrying to him in some alarm, found him rigid and apparently lifeless. Lilith was not in the study when this took place. In justice to Teufelsbuerst, it must be confessed that he employed all the skill he was master of, which for beneficent purposes was not very great, to restore the youth; but without avail. At last, hearing the footsteps of Lilith, he desisted in some consternation; and that she might escape being shocked by the sight of a dead body where she had been accustomed to see a living one, he removed the lay figure from the couch, and laid Karl in its place, covering him with a black velvet pall. He was just in time. She started at seeing no one in Karl's place and said:

"'Where is your pupil, father?'

"'Gone home,' he answered, with a kind of convulsive grin.

"She glanced round the room, caught sight of the lay figure where it had not been before, looked at the couch, and saw the pall yet heaved up from beneath, opened her eyes till the entire white sweep around the iris suggested a new expression of consternation to Teufelsbuerst, though from a quarter whence he did not desire or look for it; and then, without a word, sat down to a drawing she had been busy upon the day before. But her father, glancing at her now, as Wolkenlicht had used to do, could not help seeing that she was frightfully pale. She showed no other sign of uneasiness. As soon as he released her, she withdrew, with one more glance, as she passed, at the couch and the figure blocked out in black upon it. She hastened to her chamber, shut and locked the door, sat down on the side of the couch, and fell, not a-weeping, but a-thinking. Was he dead? What did it matter? They would all be dead soon. Her mother was dead already. It was only that the earth could not bear more children, except she devoured those to whom she had already given birth. But what if they had to come back in another form, and live another sad, hopeless, loveless life over again?—And so she went on questioning, and receiving no replies; while through all her thoughts passed and repassed the eyes of Wolkenlicht, which she had often felt to be upon her when she did not see them, wild with repressed longing, the light of their love shining through the veil of diffused tears, ever gathering and never overflowing. Then came the pale face, so worshipping, so distant in its self-withdrawn devotion, slowly dawning out of the vapours of her reverie. When it vanished, she tried to see it again. It would not come when she called it; but when her thoughts left knocking at the door of the lost, and wandered away, out came the pale, troubled, silent face again, gathering itself up from some unknown nook in her world of phantasy, and once more, when she tried to steady it by the fixedness of her own regard, fading back into the mist. So the phantasm of the dead drew near and wooed, as the living had never dared.—What if there were any good in loving? What if men and women did not die all out, but some dim shade of each, like that pale, mind-ghost of Wolkenlicht, floated through the eternal vapours of chaos? And what if they might sometimes cross each other's path, meet, know that they met, love on? Would not that revive the withered memory, fix the fleeting ghost, give a new habitation, a body even, to the poor, unhoused wanderers, frozen by the eternal frosts, no longer thinking beings, but thoughts wandering through the brain of the 'Melancholy Mass?' Back with the thought came the face of the dead Karl, and the maiden threw herself on her bed in a flood of bitter tears. She could have loved him if he had only lived: she did love him, for he was dead. But even in the midst of the remorse that followed—for had she not killed him?—life seemed a less hard and hopeless thing than before. For it is love itself and not its responses or results that is the soul of life and its pleasures.

"Two hours passed ere she could again show herself to her father, from whom she seemed in some new way divided by the new feeling in which he did not, and could not share. But at last, lest he should seek her, and finding her, should suspect her thoughts, she descended and sought him.—For there is a maidenliness in sorrow, that wraps her garments close around her.—But he was not to be seen; the door of the study was locked. A shudder passed through her as she thought of what her father, who lost no opportunity of furthering his all but perfect acquaintance with the human form and structure, might be about with the figure which she knew lay dead beneath that velvet pall, but which had arisen to haunt the hollow caves and cells of her living brain. She rushed away, and up once more to her silent room, through the darkness which had now settled down in the house; threw herself again on her bed, and lay almost paralysed with horror and distress.

"But Teufelsbuerst was not about anything so frightful as she supposed, though something frightful enough. I have already implied that Wolkenlicht was, in form, as fine an embodiment of youthful manhood as any old Greek republic could have provided one of its sculptors with as model for an Apollo. It is true, that to the eye of a Greek artist he would not have been more acceptable in consequence of the regimen he had been going through for the last few weeks; but the emaciation of Wolkenlicht's frame, and the consequent prominence of the muscles, indicating the pain he had gone through, were peculiarly attractive to Teufelsbuerst.—He was busy preparing to take a cast of the body of his dead pupil, that it might aid to the perfection of his future labours.

"He was deep in the artistic enjoyment of a form, at the same time so beautiful and strong, yet with the lines of suffering in every limb and feature, when his daughter's hand was laid on the latch. He started, flung the velvet drapery over the body, and went to the door. But Lilith had vanished. He returned to his labours. The operation took a long time, for he performed it very carefully. Towards midnight, he had finished encasing the body in a close-clinging shell of plaster, which, when broken off, and fitted together, would be the matrix to the form of the dead Wolkenlicht. Before leaving it to harden till the morning, he was just proceeding to strengthen it with an additional layer all over, when a flash of lightning, reflected in all its dazzle from the snow without, almost blinded him. A peal of long-drawn thunder followed; the wind rose; and just such a storm came on as had risen some time before at the death of Kuntz, whose spectre was still tormenting the city. The gnomes of terror, deep hidden in the caverns of Teufelsbuerst's nature, broke out jubilant. With trembling hands he tried to cast the pall over the awful white chrysalis,—failed, and fled to his chamber. And there lay the studio naked to the eyes of the lightning, with its tortured forms throbbing out of the dark, and quivering, as with life, in the almost continuous palpitations of the light; while on the couch lay the motionless mass of whiteness, gleaming blue in the lightning, almost more terrible in its crude indications of the human form, than that which it enclosed. It lay there as if dropped from some tree of chaos, haggard with the snows of eternity—a huge misshapen nut, with a corpse for its kernel.