“So then whosoever there fell down was straitly kept, shut up in a prison without iron bars.

“For whether he were husbandman, or shepherd, or a labourer in the field, he was overtaken, and endured that necessity, which could not be avoided: for they were all bound with one chain of darkness.

“Whether it were a whistling wind, or a melodious noise of birds among the spreading branches, or a pleasing fall of water running violently,

“Or a terrible sound of stones cast down, or a running that could not be seen of skipping beasts, or a roaring voice of most savage wild beasts, or a rebounding echo from the hollow mountains; these things made them to swoon for fear.

“For the whole world shined with clear light, and none were hindered in their labour:

“Over them only was spread an heavy night, an image of that darkness which should afterward receive them: but yet were they unto themselves more grievous than the darkness.”

He had read so much, and stopped to think a little; for through the incongruity of it, which he did not doubt arose from poverty of imagination in the translator, rendering him unable to see what the poet meant, ran yet an indubitable vein of awful truth, whether fully intended by the writer or not mattered little to such a reader as Donal—when, lifting his eyes, he saw lady Arctura standing before him with a strange listening look. A spell seemed upon her; her face was white, her lips white and a little parted.

Attracted, as she was about to pass him, by the sound of what was none the less like the Bible from the solemn crooning way in which Donal read it to the congregation of his listening thoughts, yet was certainly not the Bible, she was presently fascinated by the vague terror of what she heard, and stood absorbed: without much originative power, she had an imagination prompt and delicate and strong in response.

Donal had but a glance of her; his eyes returned again at once to his book, and he sat silent and motionless, though not seeing a word. For one instant she stood still; then he heard the soft sound of her dress as, with noiseless foot, she stole back, and took another way.

I must give my reader a shadow of her. She was rather tall, slender, and fair. But her hair was dark, and so crinkly that, when merely parted, it did all the rest itself. Her forehead was rather low. Her eyes were softly dark, and her features very regular—her nose perhaps hardly large enough, or her chin. Her mouth was rather thin-lipped, but would have been sweet except for a seemingly habitual expression of pain. A pair of dark brows overhung her sweet eyes, and gave a look of doubtful temper, yet restored something of the strength lacking a little in nose and chin. It was an interesting—not a quite harmonious face, and in happiness might, Donal thought, be beautiful even. Her figure was eminently graceful—as Donal saw when he raised his eyes at the sound of her retreat. He thought she needed not have run away as from something dangerous: why did she not pass him like any other servant of the house? But what seemed to him like contempt did not hurt him. He was too full of realities to be much affected by opinion however shown. Besides, he had had his sorrow and had learned his lesson. He was a poet—but one of the few without any weak longing after listening ears. The poet whose poetry needs an audience, can be but little of a poet; neither can the poetry that is of no good to the man himself, be of much good to anybody else. There are the song-poets and the life-poets, or rather the God-poems. Sympathy is lovely and dear—chiefly when it comes unsought; but the fame after which so many would-be, yea, so many real poets sigh, is poorest froth. Donal could sing his songs like the birds, content with the blue heaven or the sheep for an audience—or any passing angel that cared to listen. On the hill-sides he would sing them aloud, but it was of the merest natural necessity. A look of estrangement on the face of a friend, a look of suffering on that of any animal, would at once and sorely affect him, but not a disparaging expression on the face of a comparative stranger, were she the loveliest woman he had ever seen. He was little troubled about the world, because little troubled about himself.