May I taste that communion, Lord,
Thy people have with thee?
Thy spirit daily talks with them,
O let it talk with me!
Like Enoch, let me walk with God,
And thus walk out my day,
Attended with the heavenly guards,
Upon the king's highway.
When wilt thou come unto me, Lord?
O come, my Lord most dear!
Come near, come nearer, nearer still:
I'm well when thou art near.
* * * * *
When wilt thou come unto me, Lord?
For, till thou dost appear,
I count each moment for a day,
Each minute for a year.
* * * * *
There's no such thing as pleasure here;
My Jesus is my all:
As thou dost shine or disappear,
My pleasures rise and fall.
Come, spread thy savour on my frame—
No sweetness is so sweet;
Till I get up to sing thy name
Where all thy singers meet.
In the writings of both we recognize a straight-forwardness of expression equal to that of Wither, and a quaint simplicity of thought and form like that of Herrick; while the very charm of some of the best lines is their spontaneity. The men have just enough mysticism to afford them homeliest figures for deepest feelings.
I turn to the accomplished Joseph Addison.
He was born in 1672. His religious poems are so well known, and are for the greater part so ordinary in everything but their simplicity of composition, that I should hardly have cared to choose one, had it not been that we owe him much gratitude for what he did, in the reigns of Anne and George I., to purify the moral taste of the English people at a time when the influence of the clergy was not for elevation, and to teach the love of a higher literature when Milton was little known and less esteemed. Especially are we indebted to him for his modest and admirable criticism of the Paradise Lost in the Spectator.
Of those few poems to which I have referred, I choose the best known, because it is the best. It has to me a charm for which I can hardly account.