It was an unhappy thing for Tom that his mother, having persuaded her dying husband, "for Tom's sake," to leave the money in her power, should not now have carried her tyranny further, and refused him money altogether. He would then have been compelled to work harder, and to use what he made in procuring the necessaries of life. There might have been some hope for him then. As it was, his profession was the mere grasping after the honor of a workman without the doing of the work; while the little he gained by it was, at the same time, more than enough to foster the self-deception that he did something in the world. With the money he gave her, which was never more than a part of what his mother sent him, Letty had much ado to make both ends meet; and, while he ran in debt to his tailor and bootmaker, she never had anything new to wear. She did sometimes wish he would take her out with him a little oftener of an evening; for sometimes she felt so lonely as to be quite unable to amuse herself: her resources were not many in her position, and fewer still in herself; but she always reflected that he could not afford it, and it was long ere she began to have any doubt or uneasiness about him—long before she began even to imagine it might be well if he spent his evenings with her, or, at least, in other ways and other company than he did. When first such a thought presented itself, she banished it as a disgrace to herself and an insult to him. But it was no wonder if she found marriage dull, poor child!—after such expectations, too, from her Tom!

What a pity it seems to our purblind eyes that so many girls should be married before they are women! The woman comes at length, and finds she is forestalled—that the prostrate and mutilated Dagon of a girl's divinity is all that is left her to do the best with she can! But, thank God, in the faithfully accepted and encountered responsibility, the woman must at length become aware that she has under her feet an ascending stair by which to climb to the woman of the divine ideal.

There was at present, however, nothing to be called thought in the mind of Letty. She had even lost much of what faculty of thinking had been developed in her by the care of Cousin Godfrey. That had speedily followed the decay of the aspiration kindled in her by Mary. Her whole life now—as much of it, that is, as was awake—was Tom, and only Tom. Her whole day was but the continuous and little varied hope of his presence. Most of the time she had a book in her hands, but ever again book and hands would sink into her lap, and she would sit staring before her at nothing. She was not unhappy, she was only not happy. At first it was a speechless delight to have as many novels as she pleased, and she thought Tom the very prince of bounty in not merely permitting her to read them, but bringing them to her, one after the other, sometimes two at once, in spendthrift profusion. The first thing that made her aware she was not quite happy was the discovery that novels were losing their charm, that they were not sufficient to make her day pass, that they were only dessert, and she had no dinner. When it came to difficulty in going on with a new one long enough to get interested in it, she sighed heavily, and began to think that perhaps life was rather a dreary thing—at least considerably diluted with the unsatisfactory. How many of my readers feel the same! How few of them will recognize that the state of things would indeed be desperate were it otherwise! How many would go on and on being only butterflies, but for life's dismay! And who would choose to be a butterfly, even if life and summer and the flowers were to last for ever!

"I would," I fancy this and that reader saying.

"Then," I answer, "the only argument you are equal to, is the fact that life nor summer nor the flowers do last for ever."

"I suppose I am made a butterfly," do you say? "seeing I prefer to be one."

"Ah! do you say so, indeed? Then you begin to excuse yourself, and what does that mean? It means that you are no butterfly, for a butterfly—no, nor an angel in heaven—could never begin excusing the law of its existence. Butterfly-brother, the hail will be upon you."

I may not then pity Letty that she had to discover that novels taken alone serve one much as sweetmeats ad libitum do children, nor that she had to prove that life has in it that spiritual quinine, precious because bitter, whose part it is to wake the higher hunger.

Tom talked of himself as on the staff of "The Firefly"—such was the name of the newspaper whose editor sometimes paid him—a weekly of great pretense, which took upon itself the mystery of things, as if it were God's spy. It was popular in a way, chiefly in fashionable circles. As regarded the opinions it promulgated, I never heard one, who understood the particular question at any time handled, say it was correct. Its writers were mostly young men, and their passion was to say clever things. If a friend's book came in their way, it was treated worse or better than that of a stranger, but with impartial disregard for truth in either case; yet many were the authors who would go up endless back stairs to secure from that paper a flattering criticism, and then be as proud of it as if it had been the genuine and unsought utterance of a true man's conviction; and many were the men, immeasurably the superiors of the reviewers, and in a general way acquainted with their character, who would accept as conclusive upon the merits of a book the opinions they gave, nor ever question a mode of quotation by which a book was made to show itself whatever the reviewer chose to call it. A scandalous rumor of any kind, especially from the region styled "high life," often false, and always incorrect, was the delight both of the paper and of its readers; and the interest it thus awoke, united to the fear it thus caused, was mainly what procured for such as were known to be employed upon it the entree of houses where, if they had had a private existence only, their faces would never have been seen. But, to do Tom justice, he wrote nothing of this sort: he was neither ill-natured nor experienced enough for that department; what he did write was clever, shallow sketches of that same society into whose charmed precincts he was but so lately a comer that much was to him interesting which had long ceased to be observed by eyes turned horny with the glare of the world's footlights; and, while these sketches pleased the young people especially, even their jaded elders enjoyed the sparkling reflex of what they called life, as seen by an outsider; for they were thereby enabled to feel for a moment a slight interest in themselves objectively, along with a galvanized sense of existence as the producers of history. These sketches did more for the paper than the editor was willing to know or acknowledge.

But "The Firefly" produced also a little art on its own account—not always very original, but, at least, not a sucking of life from the labor of others, as is most of that parasitic thing miscalled criticism. In this branch Tom had a share, in the shape of verse. A ready faculty was his, but one seldom roused by immediate interest, and never by insight. It was not things themselves, but the reflection of things in the art of others, that moved him to produce. Coleridge, I think, says of Dryden, that he took fire with the running of his own wheels: so did Tom; but it was the running of the wheels of others that set his wheels running. He was like some young preachers who spend a part of the Saturday in reading this or that author, in order to get up the mental condition favorable to preaching on the Sunday. He was really fond of poetry; delighted in the study of its external elements for the sake of his craft; possessed not only a good but cultivated ear for verse, which is a rare thing out of the craft; had true pleasure in a fine phrase, in a strong or brilliant word; last and chief, had a special faculty for imitation; from which gifts, graces, and acquirements, it came, that he could write almost in any style that moved him—so far, at least, as to remind one who knew it, of that style; and that every now and then appeared verses of his in "The Firefly."