"I like it much, Miss Mortimer," answered Mary, turning quickly with a bright face. "Flatness has its own beauty. I sometimes feel as if room was all I wanted; and of that there is so much there! You see over the tree-tops, too, and that is good—sometimes—don't you think?"
Miss Mortimer gave no other reply than a gentle stare, which expressed no curiosity, although she had a vague feeling that Mary's words meant something. Most girls of her class would hardly have got so far.
The summer was backward, but the day had been fine and warm, and the evening was dewy and soft, and full of evasive odor. The window looked westward, and the setting sun threw long shadows toward the house. A gentle wind was moving in the tree-tops. The spirit of the evening had laid hold of Mary. The peace of faithfulness filled the air. The day's business vanished, molten in the rest of the coming night. Even Hesper's wedding-dress was gone from her thoughts. She was in her own world, and ready, for very, quietness of spirit, to go to sleep. But she had not forgotten the delight of Hesper's presence; it was only that all relation between them was gone except such as was purely human.
"This reminds me so of some beautiful verses of Henry Vaughan!" she said, half dreamily.
"What do they say?" drawled Hesper.
Mary repeated as follows:
"'The frosts are past, the storms are gone,
And backward life at last comes on.
And here in dust and dirt, O here,
The Lilies of His love appear!'"
"Whose did you say the lines were?" asked Hesper, with merest automatic response.
"Henry Vaughan's," answered Mary, with a little spiritual shiver as of one who had dropped a pearl in the miry way.
"I never heard of him," rejoined Hesper, with entire indifference.