"For we return to them," assented Faber; and silence fell.—"Yes," he resumed, "it is sad. The upper air is sweet, and the heart of man loves the sun;—"
"Then," interrupted Juliet, "why would you have me willing to go down to the darkness?"
"I would not have you willing. I would have you love the light as you do. We can not but love the light, for it is good; and the sorrow that we must leave it, and that so soon, only makes it dearer. The sense of coming loss is, or ought to be, the strongest of all bonds between the creatures of a day. The sweetest, saddest, most entrancing songs that love can sing, must be but variations on this one theme.—'The morning is clear; the dew mounts heavenward; the odor spreads; the sun looks over the hill; the world breaks into laughter: let us love one another! The sun grows hot, the shadow lies deep; let us sit in it, and remember; the sea lies flashing in green, dulled with purple; the peacock spreads his glories, a living garden of flowers; all is mute but the rush of the stream: let us love one another! The soft evening draws nigh; the dew is coming down again; the air is cool, dusky, and thin; it is sweeter than the morning; other words of death gleam out of the deepening sky; the birds close their wings and hide their heads, for death is near: let us love one another! The night is come, and there is no morrow; it is dark; the end is nigh; it grows cold; in the darkness and the cold we tremble, we sink; a moment and we are no more; ah! ah, beloved! let us love, let us cleave to one another, for we die!'"
But it seems to me, that the pitifulness with which we ought to regard each other in the horror of being the offspring of a love we do not love, in the danger of wandering ever, the children of light, in the midst of darkness, immeasurably surpasses the pitifulness demanded by the fancy that we are the creatures of but a day.
Moved in his soul by the sound of his own words, but himself the harp upon which the fingers of a mightier Nature than he knew were playing a prelude to a grander phantasy than he could comprehend, Faber caught the hand of Juliet where it gleamed white in the gathering gloom. But she withdrew it, saying in a tone which through the darkness seemed to him to come from afar, tinged with mockery.
"You ought to have been a poet—not a doctor, Mr. Faber!"
The jar of her apparent coolness brought him back with a shock to the commonplace. He almost shuddered. It was like a gust of icy wind piercing a summer night.
"I trust the doctor can rule the poet," he said, recovering his self-possession with an effort, and rising.
"The doctor ought at least to keep the poet from falsehood. Is false poetry any better than false religion?" returned Juliet.
"I do not quite see—"