One evening Robert rose from the table, not unwatched of his grandmother, and sped swiftly and silently through the dark, as was his custom, to enter the chamber of enchantment. Never before had his hand failed to alight, sure as a lark on its nest, upon the brass handle of the door that admitted him to his paradise. It missed it now, and fell on something damp, and rough, and repellent instead. Horrible, but true suspicion! While he was at school that day, his grandmother, moved by what doubt or by what certainty she never revealed, had had the doorway walled up. He felt the place all over. It was to his hands the living tomb of his mother's vicar on earth.
He returned to his book, pale as death, but said never a word. The next day the stones were plastered over.
Thus the door of bliss vanished from the earth. And neither the boy nor his grandmother ever said that it had been.
PART II.—HIS YOUTH.
CHAPTER I. ROBERT KNOCKS—AND THE DOOR IS NOT OPENED.
The remainder of that winter was dreary indeed. Every time Robert went up the stair to his garret, he passed the door of a tomb. With that gray mortar Mary St. John was walled up, like the nun he had read of in the Marmion she had lent him. He might have rung the bell at the street door, and been admitted into the temple of his goddess, but a certain vague terror of his grannie, combined with equally vague qualms of conscience for having deceived her, and the approach in the far distance of a ghastly suspicion that violins, pianos, moonlight, and lovely women were distasteful to the over-ruling Fate, and obnoxious to the vengeance stored in the gray cloud of his providence, drove him from the awful entrance of the temple of his Isis.
Nor did Miss St. John dare to make any advances to the dreadful old lady. She would wait. For Mrs. Forsyth, she cared nothing about the whole affair. It only gave her fresh opportunity for smiling condescensions about 'poor Mrs. Falconer.' So Paradise was over and gone.
But though the loss of Miss St. John and the piano was the last blow, his sorrow did not rest there, but returned to brood over his bonny lady. She was scattered to the winds. Would any of her ashes ever rise in the corn, and moan in the ripening wind of autumn? Might not some atoms of the bonny leddy creep into the pines on the hill, whose 'soft and soul-like sounds' had taught him to play the Flowers of the Forest on those strings which, like the nerves of an amputated limb, yet thrilled through his being? Or might not some particle find its way by winds and waters to sycamore forest of Italy, there creep up through the channels of its life to some finely-rounded curve of noble tree, on the side that ever looks sunwards, and be chosen once again by the violin-hunter, to be wrought into a new and fame-gathering instrument?