'Very poorly indeed,' answered her father.
'I am sorry. You'll miss him, papa.'
'Yes, my dear. Tell Jenny to bring my lamp.'
'Won't you have your tea first, papa?'
'Oh yes, if it's ready.'
'The kettle has been boiling for a long time, but I wouldn't make the tea till you came in.'
Mr. Lindsay was an hour later than usual, but Mysie was quite unaware of that: she had been absorbed in her book, too much absorbed even to ring for better light than the fire afforded. When her father went to put off his long, bifurcated greatcoat, she returned to her seat by the fire, and forgot to make the tea. It was a warm, snug room, full of dark, old-fashioned, spider-legged furniture; low-pitched, with a bay-window, open like an ear to the cries of the German Ocean at night, and like an eye during the day to look out upon its wide expanse. This ear or eye was now curtained with dark crimson, and the room, in the firelight, with the young girl for a soul to it, affected one like an ancient book in which he reads his own latest thought.
Mysie was nothing over the middle height—delicately-fashioned, at once slender and round, with extremities neat as buds. Her complexion was fair, and her face pale, except when a flush, like that of a white rose, overspread it. Her cheek was lovelily curved, and her face rather short. But at first one could see nothing for her eyes. They were the largest eyes; and their motion reminded one of those of Sordello in the Purgatorio:
E nel muover degli occhi onesta e tarda:
they seemed too large to move otherwise than with a slow turning like that of the heavens. At first they looked black, but if one ventured inquiry, which was as dangerous as to gaze from the battlements of Elsinore, he found them a not very dark brown. In her face, however, especially when flushed, they had all the effect of what Milton describes as