'I cannot throw him over the board,' said the skipper; 'and what am I to do? I am afraid it is of no use. Ah! poor thing!'

By this time the vessel was under way. The wind freshened. Mysie had been ill ever since they left the mouth of the river: now she was much worse. Before another hour passed, she was crying to be taken home to her papa. Still the wind increased, and the vessel laboured much.

Robert never felt better, and if it had not been for the cause of his sea-faring, would have thoroughly enjoyed it. He put on some sea-going clothes of the captain's, and set himself to take his share in working the brig, in which he was soon proficient enough to be useful. When the sun rose, they were in a tossing wilderness of waves. With the sunrise, Robert began to think he had been guilty of a great folly. For what could he do? How was he to prevent the girl from going off with her lover the moment they landed? But his poor attempt would verify his willingness.

The baron came on deck now and then, looking bored. He had not calculated on having to nurse the girl. Had Mysie been well, he could have amused himself with her, for he found her ignorance interesting. As it was, he felt injured, and indeed disgusted at the result of the experiment.

On the third day the wind abated a little; but towards night it blew hard again, and it was not until they reached the smooth waters of the Scheldt that Mysie made her appearance on deck, looking dreadfully ill, and altogether like a miserable, unhappy child. Her beauty was greatly gone, and Lord Rothie did not pay her much attention.

Robert had as yet made no attempt to communicate with her, for there was scarcely a chance of her concealing a letter from the baron. But as soon as they were in smooth water, he wrote one, telling her in the simplest language that the baron was a bad man, who had amused himself by making many women fall in love with him, and then leaving them miserable: he knew one of them himself.

Having finished his letter, he began to look abroad over the smooth water, and the land smooth as the water. He saw tall poplars, the spires of the forest, and rows of round-headed dumpy trees, like domes. And he saw that all the buildings like churches, had either spires like poplars, or low round domes like those other trees. The domes gave an eastern aspect to the country. The spire of Antwerp cathedral especially had the poplar for its model. The pinnacles which rose from the base of each successive start of its narrowing height were just the clinging, upright branches of the poplar—a lovely instance of Art following Nature's suggestion.

[ [!-- H2 anchor --] ]

CHAPTER XXIII. ROBERT FINDS A NEW INSTRUMENT.

At length the vessel lay alongside the quay, and as Mysie stepped from its side the skipper found an opportunity of giving her Robert's letter. It was the poorest of chances, but Robert could think of no other. She started on receiving it, but regarding the skipper's significant gestures put it quietly away. She looked anything but happy, for her illness had deprived her of courage, and probably roused her conscience. Robert followed the pair, saw them enter The Great Labourer—what could the name mean? could it mean The Good Shepherd?—and turned away helpless, objectless indeed, for he had done all that he could, and that all was of no potency. A world of innocence and beauty was about to be hurled from its orbit of light into the blackness of outer chaos; he knew it, and was unable to speak word or do deed that should frustrate the power of a devil who so loved himself that he counted it an honour to a girl to have him for her ruin. Her after life had no significance for him, save as a trophy of his victory. He never perceived that such victory was not yielded to him; that he gained it by putting on the garments of light; that if his inward form had appeared in its own ugliness, not one of the women whose admiration he had secured would not have turned from him as from the monster of an old tale.