'No, mistress Rees. I came not to trouble thee concerning what is past and gone,' said Richard with a sigh. 'It is a taste of thy knowledge I want rather than of thy skill.'
'What skill I have is honest,' said the old woman.
'Far be it from thee to say otherwise, mother Rees. But I need it not now. Tell me, hast thou not been once and again within the great gates of Raglan castle?'
'Yes, my son—oftener than I can tell thee,' answered the old woman. 'It is but a se'night agone that I sat a talking with my son Thomas Rees in the chimney corner of Raglan kitchen, after the supper was served and the cook at rest. It was there my lad was turnspit once upon a time, for as great a man as he is now with my lord and all the household. Those were hard times after my good man left me, master Heywood. But the cream will to the top, and there is my son now—who but he in kitchen and hall? Well, of all places in the mortal world, that Raglan passes!'
'They tell strange things of the stables there, mistress Rees: know you aught of them?'
'Strange things, master? They tell nought but good of the stables that tell the truth. As to the armoury, now—well it is not for such as mother Rees to tell tales out of school.'
'What I heard, and wanted to ask thee about, mother, was that they are under ground. Thinkest thou horses can fare well under ground? Thou knowest a horse as well as a dog, mother.'
Ere she replied, the old woman took her cake from the griddle, and laid it on a wooden platter, then caught up a three-legged stool, set it down by Richard, seated herself at his knee, and assumed the look of mystery wherewith she was in the habit of garnishing every bit of knowledge, real or fancied, which it pleased her to communicate.
'Hear me, and hold thy peace, master Richard Heywood,' she said. 'As good horses as ever stamped in Redware stables go down into Raglan vaults; but yet they eat their oats and their barley, and when they lift their heads they look out to the ends of the world. Whether it be by the skill of the mason or of such as the hidden art of my lord Herbert knows best how to compel, let them say that list to make foes where it were safer to have friends. But this I am free to tell thee—that in the pitched court, betwixt the antechamber to my lord's parlour that hath its windows to the moat, and the great bay window of the hall that looks into that court, there goeth a descent, as it seemeth of stairs only; but to him that knoweth how to pull a certain tricker, as of an harquebus or musquetoon, the whole thing turneth around, and straightway from a stair passeth into an easy matter of a sloping way by the which horses go up and down. And Thomas he telleth me also that at the further end of the vaults to which it leads, the which vaults pass under the marquis's oak parlour, and under all the breadth of the fountain court, as they do call the other court of the castle, thou wilt come to a great iron door in the foundations of one of the towers, in which my lord hath contrived stabling for a hundred and more horses, and that, mark my words, my son, not in any vault or underground dungeon, but in the uppermost chamber of all.'
'And how do they get up there, mother?' asked Richard, who listened with all his ears.