“Why,” he said, “did Margaret, in Much ado about Nothing, try to persuade Hero to wear her other rabato?”
And the answer was,
“Because she feared her mistress would find out that she had been wearing it—namely, the night before, when she personated her.”
And here I may put down a remark I heard him make in reference to a theory which itself must seem nothing less than idiotic to any one who knows Shakespeare as my uncle knew him. The remark was this—that whoever sought to enhance the fame of lord St. Alban's—he was careful to use the real title—by attributing to him the works of Shakespeare, must either be a man of weak intellect, of great ignorance, or of low moral perception; for he cast on the memory of a man already more to be pitied than any, a weight of obloquy such as it were hard to believe anyone capable of deserving. A being with Shakespeare's love of human nature, and Bacon's insight into essential truth, guilty of the moral and social atrocities into which his lordship's eagerness after money for scientific research betrayed him, would be a monster as grotesque as abominable.
I record the remark the rather that it shows my uncle could look at things in a large way as well as hunt with a knife-edge. At the same time, devoutly as I honour him, I cannot but count him intended for thinkings of larger scope than such as then seemed characteristic of him. I imagine his early history had affected his faculties, and influenced the mode of their working. How indeed could it have been otherwise!
CHAPTER IV. MY UNCLE'S ROOM, AND MY UNCLE IN IT.
At right angles to the long, black and white house, stood a building behind it, of possibly earlier date, but uncertain intent. It had been used for many things before my uncle's time—once as part of a small brewery. My uncle was positive that, whether built for the purpose or not, it had been used as a chapel, and that the house was originally the out-lying cell of some convent. The signs on which he founded this conclusion, I was never able to appreciate: to me, as containing my uncle's study, the wonder-house of my childhood, it was far more interesting than any history could have made it. It had very thick walls, two low stories, and a high roof. Entering it from the court behind the house, every portion of it would seem to an ordinary beholder quite accounted for; but it might have suggested itself to a more comprehending observer, that a considerable space must lie between the roof and the low ceiling of the first floor, which was taken up with the servants' rooms. Of the ground floor, part was used as a dairy, part as a woodhouse, part for certain vegetables, while part stored the turf dug for fuel from the neighbouring moor.
Between this building and the house was a smaller and lower erection, a mere out-house. It also was strongly built, however, and the roof, in perfect condition, seemed newer than the walls: it had been raised and strengthened when used by my uncle to contain a passage leading from the house to the roof of the building just described, in which he was fashioning for himself the retreat which he rightly called his study, for few must be the rooms more continuously thought and read in during one lifetime than this.
I have now to tell how it was reached from the house. You could hardly have found the way to it, even had you set yourself seriously to the task, without having in you a good share of the constructive faculty. The whole was my uncle's contrivance, but might well have been supposed to belong to the troubled times when a good hiding-place would have added to the value of any home.