“Confound it!” he cried at last, and sprang to his feet, but without taking his eyes from his picture, “what have I been doing all this time but making a portrait of you, MacPhail, and forgetting what you were there for! And yet,” he went on, hesitating and catching up the miniature, “I have got a certain likeness! Yes, it must be so, for I see in it also a certain look of Lady Lossie. Well! I suppose a man can’t altogether help what he paints any more than what he dreams. That will do for this morning, anyhow, I think, MacPhail. Make haste and put on your own clothes, and come into the next room to breakfast. You must be tired with standing so long.”
“It is about the hardest work I ever tried,” answered Malcolm; “but I doubt if I am as tired as Kelpie. I’ve been listening for the last half hour to hear the stalls flying.”
CHAPTER XXIX.
AN EVIL OMEN.
Florimel was beginning to understand that the shield of the portrait was not large enough to cover many more visits to the studio. Still she must and would venture; and should anything be said, there at least was the portrait. For some weeks it had been all but finished, was never off its easel, and always showed a touch of wet paint somewhere—he kept the last of it lingering, ready to prove itself almost yet not altogether finished. What was to follow its absolute completion, neither of them could tell. The worst of it was that their thoughts about it differed discordantly. Florimel not unfrequently regarded the rupture of their intimacy as a thing not undesirable—this chiefly after such a talk with Lady Bellair as had been illustrated by some tale of misalliance or scandal between high or low, of which kind of provision for age the bold-faced countess had a large store: her memory was little better than an ashpit of scandal. Amongst other biographical scraps one day she produced the case of a certain earl’s daughter, who, having disgraced herself by marrying a low fellow—an artist, she believed—was as a matter of course neglected by the man whom, in accepting him, she had taught to despise her, and, before a twelvemonth was over—her family finding it impossible to hold communication with her—was actually seen by her late maid scrubbing her own floor.
“Why couldn’t she leave it dirty?” said Florimel.
“Why indeed,” returned Lady Bellair, “but that people sink to their fortunes! Blue blood won’t keep them out of the gutter.”
The remark was true, but of more general application than she intended, seeing she herself was in the gutter and did not know it. She spoke only of what followed on marriage beneath one’s natal position, than which she declared there was nothing worse a woman of rank could do.
“She may get over anything but that,” she would say, believing, but not saying, that she spoke from experience.
Was it part of the late marquis’s purgatory to see now, as the natural result of the sins of his youth, the daughter whose innocence was dear to him exposed to all the undermining influences of this good natured but low-moralled woman, whose ideas of the most mysterious relations of humanity were in no respect higher than those of a class which must not even be mentioned in my pages? At such tales the high-born heart would flutter in Florimel’s bosom, beat itself against its bars, turn sick at the sight of its danger, imagine it had been cherishing a crime, and resolve—soon—before very long—at length—finally—to break so far at least with the painter as to limit their intercourse to the radiation of her power across a dinner-table, the rhythmic heaving of their two hearts at a dance, or the quiet occasional talk in a corner, when the looks of each would reveal to the other that they knew themselves the martyrs of a cruel and inexorable law. It must be remembered that she had had no mother since her childhood, that she was now but a girl, and that the passion of a girl to that of a woman is “as moonlight unto sunlight, and as water unto wine.” Of genuine love she had little more than enough to serve as salt to the passion; and passion, however bewitching, yea, entrancing a condition, may yet be of more worth than that induced by opium or hashish, and a capacity for it may be conjoined with anything or everything contemptible and unmanly or unwomanly. In Florimel’s case, however, there was chiefly much of the childish in it. Definitely separated from Lenorme, she would have been merry again in a fortnight; and yet, though she half knew this herself, and at the same time was more than half ashamed of the whole affair, she did not give it up —would not—only intended by and by to let it go, and meantime gave—occasionally—pretty free flutter to the half grown wings of her fancy.
Her liking for the painter had therefore, not unnaturally, its fits. It was subject in a measure to the nature of the engagements she had—that is, to the degree of pleasure she expected from them; it was subject, as we have seen, to skilful battery from the guns of her chaperon’s entrenchment; and more than to either was it subject to those delicate changes of condition which in the microcosm are as frequent, and as varied both in kind and degree, as in the macrocosm. The spirit has its risings and settings of sun and moon, its seasons, its clouds and stars, its solstices, its tides, its winds, its storms, its earthquakes—infinite vitality in endless fluctuation. To rule these changes, Florimel had neither the power that comes of love, nor the strength that comes of obedience. What of conscience she had was not yet conscience toward God, which is the guide to freedom, but conscience toward society, which is the slave of a fool. It was no wonder then that Lenorme, believing—hoping she loved him, should find her hard to understand. He said hard; but sometimes he meant impossible. He loved as a man loves who has thought seriously, speculated, tried to understand; whose love therefore is consistent with itself, harmonious with its nature and history, changing only in form and growth, never in substance and character. Hence the idea of Florimel became in his mind the centre of perplexing thought; the unrest of her being metamorphosed on the way, passed over into his, and troubled him sorely. Neither was his mind altogether free of the dread of reproach. For self-reproach he could find little or no ground, seeing that to pity her much for the loss of consideration her marriage with him would involve, would be to undervalue the honesty of his love and the worth of his art; and indeed her position was so independently based that she could not lose it even by marrying one who had not the social standing of a brewer or a stockbroker; but his pride was uneasy under the foreseen criticism that his selfishness had taken advantage of her youth and inexperience to work on the mind of an ignorant girl—a criticism not likely to be the less indignant that those who passed it would, without a shadow of compunction, have handed her over, body, soul, and goods, to one of their own order, had he belonged to the very canaille of the race.