[He closes the book, and is silent for some moments.]
Ah me, O Poet! did thy love last out
The common life together every hour?
The slumber side by side with wondrousness
Each night after a day of fog and rain?
Did thy love glory o'er the empty purse,
And the poor meal sometimes the poet's lot?
Is she dead, Poet? Is thy love awake?
Alas! and is it come to this with me?
I might have written that! where am I now?
Yet let me think: I love less passionately,
But not less truly; I would die for her—
A little thing, but all a man can do.
O my beloved, where the answering love?
Love me, beloved. Whither art thou gone?
* * * * *
SCENE II.—Lilia's room. LILIA.
Lilia.
He grows more moody still, more self-withdrawn.
Were it not better that I went away,
And left him with the child; for she alone
Can bring the sunshine on his cloudy face?
Alas, he used to say to me, my child!
Some convent would receive me in my land,
Where I might weep unseen, unquestioned;
And pray that God in whom he seems to dwell,
To take me likewise in, beside him there.
Had I not better make one trial first
To win again his love to compass me?
Might I not kneel, lie down before his feet,
And beg and pray for love as for my life?
Clasping his knees, look up to that stern heaven,
That broods above his eyes, and pray for smiles?
What if endurance were my only meed?
He would not turn away, but speak forced words,
Soothing with kindness me who thirst for love,
And giving service where I wanted smiles;
Till by degrees all had gone back again
To where it was, a slow dull misery.
No. 'Tis the best thing I can do for him—
And that I will do—free him from my sight.
In love I gave myself away to him;
And now in love I take myself again.
He will not miss me; I am nothing now.
* * * * *
SCENE III.—Lord Seaford's garden. LILIA; LORD SEAFORD.
Lord S.
How the white roses cluster on the trellis!
They look in the dim light as if they floated
Within the fluid dusk that bathes them round.
One could believe that those far distant tones
Of scarce-heard music, rose with the faint scent,
Breathed odorous from the heart of the pale flowers,
As the low rushing from a river-bed,
Or the continuous bubbling of a spring
In deep woods, turning over its own joy
In its own heart luxuriously, alone.
'Twas on such nights, after such sunny days,
The poets of old Greece saw beauteous shapes
Sighed forth from out the rooted, earth-fast trees,
With likeness undefinable retained
In higher human form to their tree-homes,
Which fainting let them forth into the air,
And lived a life in death till they returned.
The large-limbed, sweepy-curved, smooth-rounded beech
Gave forth the perfect woman to the night;
From the pale birch, breeze-bent and waving, stole
The graceful, slight-curved maiden, scarcely grown.
The hidden well gave forth its hidden charm,
The Naiad with the hair that flowed like streams,
And arms that gleamed like moonshine on wet sands.
The broad-browed oak, the stately elm, gave forth
Their inner life in shapes of ecstasy.
All varied, loveliest forms of womanhood
Dawned out in twilight, and athwart the grass
Half danced with cool and naked feet, half floated
Borne on winds dense enough for them to swim.
O what a life they lived! in poet's brain—
Not on this earth, alas!—But you are sad;
You do not speak, dear lady.