CHAPTER XIII. THE HARVEST.
It was some time before we got the bells to work to our mind, but at last we succeeded. The worst of it was to get the cranks, which at first required strong pressure on the keys, to work easily enough. But neither Joe nor his cousin spared any pains to perfect the attempt, and, as I say, at length we succeeded. I took Wynnie down to the instrument and made her try whether she could not do something, and she succeeded in making the old tower discourse loudly and eloquently.
By this time the thanksgiving for the harvest was at hand: on the morning of that first of all would I summon the folk to their prayers with the sound of the full peal. And I wrote a little hymn of praise to the God of the harvest, modelling it to one of the oldest tunes in that part of the country, and I had it printed on slips of paper and laid plentifully on the benches. What with the calling of the bells, like voices in the highway, and the solemn meditation of the organ within to bear aloft the thoughts of those who heard, and came to the prayer and thanksgiving in common, and the message which God had given me to utter to them, I hoped that we should indeed keep holiday.
Wynnie summoned the parish with the hundredth psalm pealed from aloft, dropping from the airy regions of the tower on village and hamlet and cottage, calling aloud—for who could dissociate the words from the music, though the words are in the Scotch psalms?—written none the less by an Englishman, however English wits may amuse themselves with laughing at their quaintness—calling aloud,
“All people that on earth do dwell
Sing to the Lord with cheerful voice;
Him serve with mirth, his praise forth tell—
Come ye before him and rejoice.”
Then we sang the psalm before the communion service, making bold in the name of the Lord to serve him with mirth as in the old version, and not with the fear with which some editor, weak in faith, has presumed to alter the line. Then before the sermon we sang the hymn I had prepared—a proceeding justifiable by many an example in the history of the church while she was not only able to number singers amongst her clergy, but those singers were capable of influencing the whole heart and judgment of the nation with their songs. Ethelwyn played the organ. The song I had prepared was this:
“We praise the Life of All;
From buried seeds so small
Who makes the ordered ranks of autumn stand;
Who stores the corn
In rick and barn
To feed the winter of the land.
We praise the Life of Light!
Who from the brooding night
Draws out the morning holy, calm, and grand;
Veils up the moon,
Sends out the sun,
To glad the face of all the land.
We praise the Life of Work,
Who from sleep’s lonely dark
Leads forth his children to arise and stand,
Then go their way,
The live-long day,
To trust and labour in the land.
We praise the Life of Good,
Who breaks sin’s lazy mood,
Toilsomely ploughing up the fruitless sand.
The furrowed waste
They leave, and haste
Home, home, to till their Father’s land.
We praise the Life of Life,
Who in this soil of strife
Casts us at birth, like seed from sower’s hand;
To die and so
Like corn to grow
A golden harvest in his land.”
After we had sung this hymn, the meaning of which is far better than the versification, I preached from the words of St. Paul, “If by any means I might attain unto the resurrection of the dead. Not as though I had already attained, either were already perfect.” And this is something like what I said to them:
“The world, my friends, is full of resurrections, and it is not always of the same resurrection that St. Paul speaks. Every night that folds us up in darkness is a death; and those of you that have been out early and have seen the first of the dawn, will know it—the day rises out of the night like a being that has burst its tomb and escaped into life. That you may feel that the sunrise is a resurrection—the word resurrection just means a rising again—I will read you a little description of it from a sermon by a great writer and great preacher called Jeremy Taylor. Listen. ‘But as when the sun approaching towards the gates of the morning, he first opens a little eye of heaven and sends away the spirits of darkness, and gives light to a cock, and calls up the lark to matins, and by and by gilds the fringes of a cloud, and peeps over the eastern hills, thrusting out his golden horns like those which decked the brows of Moses, when he was forced to wear a veil, because himself had seen the face of God; and still, while a man tells the story, the sun gets up higher, till he shows a fair face and a full light, and then he shines one whole day, under a cloud often, and sometimes weeping great and little showers, and sets quickly; so is a man’s reason and his life.’ Is not this a resurrection of the day out of the night? Or hear how Milton makes his Adam and Eve praise God in the morning,—