“Shall I tell you what I like best in the play?” said Turner. “It is the common sense of Theseus in accounting for all the bewilderments of the night.”
“But,” said Ethelwyn, “he was wrong after all. What is the use of common sense if it leads you wrong? The common sense of Theseus simply amounted to this, that he would only believe his own eyes.”
“I think Mrs. Walton is right, Turner,” I said. “For my part, I have more admired the open-mindedness of Hippolyta, who would yield more weight to the consistency of the various testimony than could be altogether counterbalanced by the negation of her own experience. Now I will tell you what I most admire in the play: it is the reconciling power of the poet. He brings together such marvellous contrasts, without a single shock or jar to your feeling of the artistic harmony of the conjunction. Think for a moment—the ordinary commonplace courtiers; the lovers, men and women in the condition of all conditions in which fairy-powers might get a hold of them; the quarrelling king and queen of Fairyland, with their courtiers, Blossom, Cobweb, and the rest, and the court-jester, Puck; the ignorant, clownish artisans, rehearsing their play,—fairies and clowns, lovers and courtiers, are all mingled in one exquisite harmony, clothed with a night of early summer, rounded in by the wedding of the king and queen. But I have talked enough about it. Let us get our books.”
As we sat in Connie’s room, delighting ourselves with the reflex of the poet’s fancy, the sound of the rising tide kept mingling with the fairy-talk and the foolish rehearsal. “Musk roses,” said Titania; and the first of the blast, going round by south to west, rattled the window. “Good hay, sweet hay, hath no fellow,” said Bottom; and the roar of the waters was in our ears. “So doth the woodbine the sweet honeysuckle Gently entwist,” said Titania; and the blast poured the rain in a spout against the window. “Slow in pursuit, but matched in mouth like bells,” said Theseus; and the wind whistled shrill through the chinks of the bark-house opening from the room. We drew the curtains closer, made up the fire higher, and read on. It was time for supper ere we had done; and when we left Connie to have hers and go to sleep, it was with the hope that, through all the rising storm, she would dream of breeze-haunted summer woods.
CHAPTER VII. THE GATHERED STORM.
I woke in the middle of the night and the darkness to hear the wind howling. It was wide awake now, and up with intent. It seized the house, and shook it furiously; and the rain kept pouring, only I could not hear it save in the rallentondo passages of the wind; but through all the wind I could hear the roaring of the big waves on the shore. I did not wake my wife; but I got up, put on my dressing-gown, and went softly to Connie’s room, to see whether she was awake; for I feared, if she were, she would be frightened. Wynnie always slept in a little bed in the same room. I opened the door very gently, and peeped in. The fire was burning, for Wynnie was an admirable stoker, and could generally keep the fire in all night. I crept to the bedside: there was just light enough to see that Connie was fast asleep, and that her dreams were not of storms. It was a marvel how well the child always slept. But, as I turned to leave the room, Wynnie’s voice called me in a whisper. Approaching her bed, I saw her wide eyes, like the eyes of the darkness, for I could scarcely see anything of her face.
“Awake, darling?” I said.
“Yes, papa. I have been awake a long time; but isn’t Connie sleeping delightfully? She does sleep so well! Sleep is surely very good for her.”
“It is the best thing for us all, next to God’s spirit, I sometimes think, my dear. But are you frightened by the storm? Is that what keeps you awake?”