“And what was that then, Wynnie?” I asked.
“A rock,” she answered, “that you could not see from where you were sitting. I saw you on the top of the cliff.”
“Connie said it was you, by your bonnet. She, too, was wishing she could look over the shoulder of the artist at work beside you.”
“Not beside me. There were yards and yards of solid rock between us.”
“Space, you see, in removing things from the beholder, seems always to bring them nearer to each other, and the most differing things are classed under one name by the man who knows nothing about them. But what sort of a rock was it you were trying to draw?”
“A strange-looking, conical rock, that stands alone in front of one of the ridges that project from the shore into the water. Three sea-birds, with long white wings, were flying about it, and the little waves of the rising tide were beating themselves against it and breaking in white plashes. So the rock stood between the blue and white below and the blue and white above; for, though there were no clouds, the birds gave the touches of white to the upper sea.”
“Now, Dora,” I said, “I don’t know if you are old enough to understand me; but sometimes little people are long in understanding, just because the older people think they can’t, and don’t try them.—Do you see, Dora, why I want you to learn to draw? Look how Wynnie sees things. That is, in a great measure, because she draws things, and has, by that, learned to watch in order to find out. It is a great thing to have your eyes open.”
Dora’s eyes were large, and she opened them to their full width, as if she would take in the universe at their little doors. Whether that indicated that she did not in the least understand what I had been saying, or that she was in sympathy with it, I cannot tell.
“Now let us go up to Connie, and tell her about the rock and everything else you have seen since you went out. We are all her messengers sent out to discover things, and bring back news of them.”
After a little talk with Connie, I retired to the study, which was on the same floor as her room completing, indeed, the whole of that part of the house, which, seen from without, looked like a separate building; for it had a roof of its own, and stood higher up the rock than the rest of the dwelling. Here I began to glance over the books. To have the run of another man’s library, especially if it has all been gathered by himself, is like having a pass-key into the chambers of his thought. Only, one must be wary, when he opens them, what marks on the books he takes for those of the present owner. A mistake here would breed considerable confusion and falsehood in any judgment formed from the library. I found, however, one thing plain enough, that Shepherd had kept up that love for an older English literature, which had been one of the cords to draw us towards each other when we were students together. There had been one point on which we especially agreed—that a true knowledge of the present, in literature, as in everything else, could only be founded upon a knowledge of what had gone before; therefore, that any judgment, in regard to the literature of the present day, was of no value which was not guided and influenced by a real acquaintance with the best of what had gone before, being liable to be dazzled and misled by novelty of form and other qualities which, whatever might be the real worth of the substance, were, in themselves, purely ephemeral. I had taken down a last-century edition of the poems of the brothers Fletcher, and, having begun to read a lovely passage in “Christ’s Victory and Triumph,” had gone into what I can only call an intellectual rage, at the impudence of the editor, who had altered innumerable words and phrases to suit the degenerate taste of his own time,—when a knock came to the door, and Charlie entered, breathless with eagerness.