"On the part of the clergyman, you see, Turner," I said, when I had finished reading the whole passage to him. "There is no care taken of the delicate women of the congregation, but only of the ancient or infirm clergyman. And the logic, to say the least, is rather queer: is it only in virtue of his antiquity and infirmity that he is to be upheld in being more strictly conformable? The writer's honesty has its heels trodden upon by the fear of giving offence. Nevertheless there should perhaps be a certain slowness to admit change, even back to a more ancient form."
"I don't know that I can quite agree with you there," said Turner. "If the form is better, no one should hesitate to advocate the change. If it is worse, then slowness is not sufficient—utter obstinacy is the right condition."
"You are right, Turner. For the right must be the rule, and where the right is beyond our understanding or our reach, then the better, as indeed not only right compared with the other, but the sole ascent towards the right."
In the evening I took Henry Vaughan's poems into the common sitting-room, and to Connie's great delight read the whole of the lovely, though unequal little poem, called "The Retreat," in recalling which I had failed in the morning. She was especially delighted with the "white celestial thought," and the "bright shoots of everlastingness." Then I gave a few lines from another yet more unequal poem, worthy in themselves of the best of the other. I quote the first strophe entire:
CHILDHOOD.
"I cannot reach it; and my striving eye
Dazzles at it, as at eternity.
Were now that chronicle alive,
Those white designs which children drive,
And the thoughts of each harmless hour,
With their content too in my power,
Quickly would I make my path even,
And by mere playing go to heaven.
* * * * *
And yet the practice worldlings call
Business and weighty action all,
Checking the poor child for his play,
But gravely cast themselves away.
* * * * *
An age of mysteries! which he
Must live twice that would God's face see;
Which angels guard, and with it play,
Angels! which foul men drive away.
How do I study now, and scan
Thee more than ere I studied man,
And only see through a long night
Thy edges and thy bordering light I
O for thy centre and midday!
For sure that is the narrow way!"