The curate was taken by surprise and made no answer: it was as if he had received a sudden blow in the face. Recovering himself presently, however, he sought room to pass the question without direct encounter.
"How came the thing there?" he said, once more indicating the church-tower.
"By faith, no doubt," answered Bascombe, laughing,—"but not your faith; no, nor the faith of any of the last few generations."
"There are more churches built now, ten times over, than in any former period of our history."
"True; but of what sort? All imitation—never an original amongst them all!"
"If they had found out the right way, why change it?"
"Good! But it is rather ominous for the claim of a divine origin to your religion that it should be the only one thing that in these days takes the crab's move—backwards. You are indebted to your forefathers for your would-be belief, as well as for their genuine churches. You hardly know what your belief is. There is my aunt—as good a specimen as I know of what you call a Christian!—so accustomed is she to think and speak too after the forms of what you heard my cousin call heathenism, that she would never have discovered, had she been as wide awake as she was sound asleep, that the song I sung was anything but a good Christian ballad."
"Pardon me; I think you are wrong there."
"What! did you never remark how these Christian people, who profess to believe that their great man has conquered death, and all that rubbish—did you never observe the way they look if the least allusion is made to death, or the eternity they say they expect beyond it? Do they not stare as if you had committed a breach of manners? Religion itself is the same way: as much as you like about the church, but don't mention Christ! At the same time, to do them justice, it is only of death in the abstract they decline to hear; they will listen to the news of the death of a great and good man, without any such emotion. Look at the poetry of death—I mean the way Christian poets write of it! A dreamless sleep they call it—the bourne from whence, knows no waking. 'She is gone for ever!' cries the mother over her daughter. And that is why such things are not to be mentioned, because in their hearts they have no hope, and in their minds no courage to face the facts of existence. We haven't the pluck of the old fellows, who, that they might look death himself in the face without dismay, accustomed themselves, even at their banquets, to the sight of his most loathsome handiwork, his most significant symbol—and enjoyed their wine the better for it!—your friend Horace, for instance."
"But your aunt now would never consent to such an interpretation of her opinions. Nor do I allow that it is fair."