One of the most potent means for producing the humano-atmospheric play in which her soul thus rejoiced, and one whose operation was to none better known than to Emmeline, was jealousy, and for its generation she had all possible facilities—for there could not be a woman in regard of whom jealousy was more justifiable on any ground except that of being worth it. So far as it will reach, however, it must be remembered, in mitigation of judgment, that she had no gauge in herself equal to the representation of a tithe of the misery whose signs served to lift her to the very Paradise of falsehood: she knew not what she did, and possibly knowledge might have found in her some pity and abstinence. But when a woman, in her own nature cold, takes delight in rousing passion, she will, selfishly confident in her own safety, go to strange lengths in kindling and fanning the flame which is the death of the other.
It is far from my intention to follow the disagreeable topic across the pathless swamp through which an elaboration of its phases would necessarily drag me. Of morbid anatomy, save for the setting forth of cure, I am not fond, and here there is nothing to be said of cure. What concerns me as a narrator is, that Emmeline consoled and irritated and re-consoled Leopold, until she had him her very slave, and the more her slave that by that time he knew something of her character. The knowledge took from him what little repose she had left him; he did no more good at school, and went to Cambridge with the conviction that the woman to whom he had given his soul, would be doing things in his absence the sight of which would drive him mad. Yet somehow he continued to live, reassured now and then by the loving letters she wrote to him, and relieving his own heart while he fostered her falsehood by the passionate replies he made to them.
From a sad accident of his childhood, he had become acquainted with something of the influences of a certain baneful drug, to the use of which one of his attendants was addicted, and now at college, partly from curiosity, partly from a desire to undergo its effects, but chiefly in order to escape from ever-gnawing and passionate thought, he began to make EXPERIMENTS in its use. Experiment called for repetition—in order to verification, said the fiend,—and repetition led first to a longing after its effects, and next to a mad appetite for the thing itself; so that, by the time of which my narrative treats, he was on the verge of absolute slavery to its use, and in imminent peril of having to pass the rest of his life in alternations of ecstasy and agony, divided by dull spaces of misery, the ecstasies growing rarer and rarer, and the agonies more and more frequent, intense, and lasting; until at length the dethroned Apollo found himself chained to a pillar of his own ruined temple, which the sirocco was fast filling with desert sand.
CHAPTER XXVII. LEOPOLD’S STORY CONCLUDED.
He knew from her letters that they were going to give a ball, at which as many as pleased should be welcome in fancy dresses, and masked if they chose. The night before it he had a dream, under the influence of his familiar no doubt, which made him so miserable and jealous that he longed to see her as a wounded man longs for water, and the thought arose of going down to the ball, not exactly in disguise, for he had no mind to act a part, but masked so that he should not be recognised as uninvited, and should have an opportunity of watching Emmeline, concerning whose engagement with a young cavalry officer there had lately been reports, which, however, before his dream, had caused him less uneasiness than many such preceding. The same moment the thought was a resolve.
I must mention that no one whatever knew the degree of his intimacy with Emmeline, or that he had any ground for considering her engaged to him. Secrecy added much to the zest of Emmeline’s pleasures. Everyone knew that he was a devoted admirer—but therein to be classed with a host.
For concealment, he contented himself with a large travelling-cloak, a tall felt hat, and a black silk mask.
He entered the grounds with an arrival of guests, and knowing the place perfectly, contrived to see something of her behaviour, while he watched for an opportunity of speaking to her alone,—a quest of unlikely success. Hour after hour he watched, and all the time never spoke or was spoken to.
Those who are acquainted with the mode of operation of the drug to which I have referred, are aware that a man may be fully under its influences without betraying to the ordinary observer that he is in a condition differing from that of other men. But, in the living dream wherein he walks, his feeling of time and of space is so enlarged, or perhaps, I rather think, so subdivided to the consciousness, that everything about him seems infinite both in duration and extent; the action of a second has in it a multitudinous gradation of progress, and a line of space is marked out into millionths, of every one of which the consciousness takes note. At the same time his senses are open to every impression from things around him, only they appear to him in a strangely exalted metamorphosis, the reflex of his own mental exaltation either in bliss or torture, while the fancies of a man mingle with the facts thus introduced and modify and are in turn modified by them; whereby out of the chaos arises the mountain of an Earthly Paradise, whose roots are in the depths of hell; and whether the man be with the divine air and the clear rivers and the thousand-hued flowers on the top, or down in the ice-lake with the tears frozen to hard lumps in the hollows of his eyes so that he can no more have even the poor consolation of weeping, is but the turning of a hair, so far at least as his will has to do with it. The least intrusion of anything painful, of any jar that cannot be wrought into the general harmony of the vision, will suddenly alter its character, and from the seventh heaven of speechless bliss the man may fall plumb down into gulfs of horrible and torturing, it may be loathsome imaginings.