“The first thing,” she said, “is to write to your father. When he knows I have got you, he won’t be uneasy. I will go and do it at once.”

Almost the moment she left him, Cosmo fell fast asleep again.

But now was Lady Joan, if not in perplexity, yet in no small discomfort. It made her miserable to think of Cosmo in such a place, yet she could not help saying to herself it was well he had not written, for she must then have asked him not to come: now that he was in the house, she dared not tell her brother; and were she to move him to any comfortable room in the castle, he would be sure to hear of it from the butler, for the less faith carried, the more favour curried! One thing only was in her power: she could make the room he was in comparatively comfortable. As soon, therefore, as she had written a hurried letter to the laird, she went hastily through some of the rooms nearest the part in which Cosmo lay, making choice of this and of that for her purpose: in the great, all but uninhabited place there were naturally many available pieces of stuff and of furniture. These she then proceeded, with her own hands, and the assistance of the gardener and his wife, to carry to his room; and when she found he was asleep, she put forth every energy to get the aspect of the place altered before he should wake. With noiseless steps she entered and left the room fifty times; and by making use of a door which had not been opened for perhaps a hundred years, she avoided attracting the least attention.

CHAPTER XXVII.
A TRANSFORMATION.

When Cosmo the second time opened his eyes, he was afresh bewildered. Which was the dream—that vision of wretchedness, or this of luxury? If it was not a dream, how had they moved him without once disturbing his sleep? It was as marvellous as anything in the Arabian Nights! Could it be the same chamber? Not a thing seemed the same, yet in him was a doubtful denial of transportance. Yes, the ceiling was the same! The power of the good fairy had not reached to the transformation of that! But the walls! Instead of the great hole in the plaster close by the bed, his eyes fell on a piece of rich old tapestry! Curtains of silk damask, all bespotted with quaintest flowers, each like a page of Chaucer’s poetry, hung round his bed, quite other than fit sails for the Stygian boat. They had made the bed as different as the vine in summer from the vine in winter. A quilt of red satin lay in the place of the patchwork coverlid. Everything had been changed. He thought the mattress felt soft under him—but that was only a fancy, for he saw before the fire the feather-bed intended to lie between him and it. He felt like a tended child, in absolute peace and bliss—or like one just dead, while yet weary with the struggle to break free. He seemed to recall the content, of which some few vaguest filaments, a glance and no more, still float in the summer-air of many a memory, wherein the child lies, but just awaked to consciousness and the mere bliss of being, before wrong has begun to cloud its pure atmosphere. For Cosmo had nothing on his conscience to trouble it; his mind was stored with lovely images and was fruitful in fancies, because in temperament, faith, and use, he was a poet; the evil vapours of fever had just lifted from his brain, and were floating away, in the light of the sun of life; he felt the pressure of no duty—was like a bird of the air lying under its mother’s wing, and dreaming of flight; his childhood’s most cherished dream had grown fact: there was the sylph, the oriad, the naiad of all his dreams, a living lady before his eyes—nor the less a creature of his imagination’s heart; from her, as the centre of power, had all the marvellous transformation proceeded; and the lovely strength had kissed him on the forehead! The soul of Cosmo floated in rapturous quiet, like the evening star in a rosy cloud.

But I return to the earthly shore that bordered this heavenly sea. The old-fashioned, out-swelling grate, loose and awry in its setting, had a keen little fire burning in it, of which, summer as it was, the mustiness of the atmosphere, and the damp of the walls, more than merely admitted. The hole in the floor had vanished under a richly faded Turkey carpet; and a luxurious sofa, in blue damask, faded almost to yellow, stood before the fire, to receive him the moment he should cease to be a chrysalis. And there in an easy chair by the corner of the hearth, wonder of all loveliest wonders, sat the fairy-godmother herself, as if she had but just waved her wand, and everything had come to her will!—the fact being, however, that the poor fairy was not a little tired in legs and arms and feet and hands and head, and preferred contemplating what she had already done, to doing anything more for the immediate present.

Cosmo lay watching her. He dared not move a hand, lest she should move; for, though it might be to rise and come to him, would it not be to change what he saw?—and what he saw was so much enough, that he would see it forever, and desired nothing else. She turned her eyes, and seeing the large orbs of the youth fixed upon her, smiled as she had not smiled before, for a great weight was off her heart now that the room gave him a little welcome. True, it was after all but a hypocrite of a room,—a hypocrite, however, whose meaning was better than its looks!

He put out his hand, and she rose and came and laid hers in it. Suddenly he let it go.

“I beg your pardon,” he said. “I don’t know when my hands were washed! The last I remember is digging in the garden. I wish I might wash my face and hands!”

“You mustn’t think of it! you can’t sit up yet,” said Lady Joan. “But never mind: some people are always clean. You should see my brother’s hands sometimes! I will, if you like, bring you a towel with a wet corner. I dare say that will do you good.”