“Is ye waukin’, Cosmo my bairn?”
“Ay am I,” answered Cosmo, with a faint pang, and a strange sense of loss: when should he dream its like again!
“Soon, soon, Cosmo,” he might have heard, could he have interpreted the telephonic signals from the depths of his own being; “wherever the creative pneuma can enter, there it enters, and no door stands so wide to it as that of the obedient heart.”
“Weel, ye maun hae yer supper, an’ syne ye maun say yer prayers, an’ hae dune wi’ Tyseday, an’ gang on til’ Wudens-day.”
“I’m nae wantin’ ony supper, thank ye,” said the boy.
“Ye maun hae something, my bonny man; for them ’at aits ower little, as weel ’s them ’at aits ower muckle, the night-mear rides—an’ she’s a fearsome horse. Ye can never win upo’ the back o’ her, for as guid a rider as ye’re weel kent to be, my bairn. Sae wull ye hae a drappy parritch an’ ream? or wad ye prefar a sup of fine gruel, sic as yer mother used to like weel frae my han’, whan it sae happent I was i’ the hoose?” The offer seemed to the boy to bring him a little nearer the mother whose memory he worshipped, and on the point of saying, for the sake of saving her trouble, that he would have the porridge, he chose the gruel.
He watched from his nest the whole process of its making. It took a time of its own, for one of the secrets of good gruel is a long acquaintance with the fire.—Many a time the picture of that room returned to him in far different circumstances, like a dream of quiet and self-sustained delight—though his one companion was an aged woman.
When he had taken it, he fell asleep once more, and when he woke again, it was in the middle of the night. The lamp was nearly burned out: it had a long, red, disreputable nose, that spoke of midnight hours and exhausted oil. The old lady was dozing in her chair. The clock had just struck something, for the sound of its bell was yet faintly pulsing in the air. He sat up, and looked out into the room. Something seemed upon him—he could not tell what. He felt as if something had been going on besides the striking of the clock, and were not yet over—as if something was even now being done in the room. But there the old woman slept, motionless, and apparently in perfect calm! It could not, however, have been perfect as it seemed, for presently she began to talk. At first came only broken sentences, occasionally with a long pause; and just as he had concluded she would say nothing more, she would begin again. There was something awful to the fancy of the youth in the issuing of words from the lips of one apparently unconscious of surrounding things; her voice was like the voice of one speaking from another world. Cosmo was a brave boy where duty was concerned, but conscience and imagination were each able to make him tremble. To tremble, and to turn the back, are, however, very different things: of the latter, the thing deserving to be called cowardice, Cosmo knew nothing; his hair began to rise upon his head, but that head he never hid beneath the bed-clothes. He sat and stared into the gloom, where the old woman lay in her huge chair, muttering at irregular intervals.
Presently she began to talk a little more continuously. And now also Cosmo’s heart had got a little quieter, and, no longer making such a noise in his ears, allowed him to hear better. After a few words seemingly unconnected, though probably with a perfect dependence of their own, she began to murmur something that sounded like verses. Cosmo soon perceived that she was saying the same thing over and over, and at length he had not only made out every word of the few lines, but was able to remember them. This was what he afterwards recalled—by that time uncertain whether the whole thing had not been a dream:
Catch yer naig an’ pu’ his tail:
In his hin’ heel ca’ a nail;
Rug his lugs frae ane anither—
Stan’ up, an’ ca’ the king yer brither.