"Sure no one would kill HIM, sir!" answered the girl aghast.
"I hope not. But get the stoving-pot ready, Nancy; I'm going to find a bird or two. Lest I should not succeed, have a couple of chickens at hand."
"Sir, the mistress has commanded them already."
"That is well; but do not kill them except I am not back in time."
"I understand, sir."
Macruadh knew the stag as well as the horse he rode, and that his habit had for some time been to come down at night and feed on the small border of rich grass on the south side of the burn, between it and the abrupt heathery rise of the hill. For there the burn ran so near the hill, and the ground was so covered with huge masses of grey rock, that there was hardly room for cultivation, and the bank was left in grass.
The stalking of the stag was the passion of the highlander in that part of the country. He cared little for shooting the grouse, black or red, and almost despised those whose ambition was a full bag of such game; he dreamed day and night of killing deer. The chief, however, was in this matter more of a man without being less of a highlander. He loved the deer so much, saw them so much a part of the glory of mountain and sky, sunshine and storm, that he liked to see them living, not dead, and only now and then shot one, when the family had need of it. He felt himself indeed almost the father of the deer as well as of his clan, and mourned greatly that he could do so little now, from the limited range of his property, to protect them. His love for live creatures was not quite equal to that of St. Francis, for he had not conceived the thought of turning wolf or fox from the error of his ways; but even the creatures that preyed upon others he killed only from a sense of duty, and with no pleasure in their death. The heartlessness of the common type of sportsman was loathsome to him. When there was not much doing on the farm, he would sometimes be out all night with his gun, it is true, but he would seldom fire it, and then only at some beast of prey; on the hill-side or in the valley he would lie watching the ways and doings of the many creatures that roam the night—each with its object, each with its reasons, each with its fitting of means to ends. One of the grounds of his dislike to the new possessors of the old land was the raid he feared upon the wild animals.
The laird gone, I will take my reader into the PARLOUR, as they called in English their one sitting-room. Shall I first tell him what the room was like, or first describe the two persons in it? Led up to a picture, I certainly should not look first at the frame; but a description is a process of painting rather than a picture; and when you cannot see the thing in one, but must take each part by itself, and in your mind get it into relation with the rest, there is an advantage, I think, in having a notion of the frame first. For one thing, you cannot see the persons without imagining their surroundings, and if those should be unfittingly imagined, they interfere with the truth of the persons, and you may not be able to get them right after.
The room, then, was about fifteen feet by twelve, and the ceiling was low. On the white walls hung a few frames, of which two or three contained water-colours—not very good, but not displeasing; several held miniature portraits—mostly in red coats, and one or two a silhouette. Opposite the door hung a target of hide, round, and bossed with brass. Alister had come upon it in the house, covering a meal-barrel, to which service it had probably been put in aid of its eluding a search for arms after the battle of Culloden. Never more to cover man's food from mice, or his person from an enemy, it was raised to the WALHALLA of the parlour. Under it rested, horizontally upon two nails, the sword of the chief—a long and broad ANDREW FERRARA, with a plated basket-hilt; beside it hung a dirk—longer than usual, and fine in form, with a carved hilt in the shape of an eagle's head and neck, and its sheath, whose leather was dry and flaky with age, heavily mounted in silver. Below these was a card-table of marquetry with spindle-legs, and on it a work-box of ivory, inlaid with silver and ebony. In the corner stood a harp, an Erard, golden and gracious, not a string of it broken. In the middle of the room was a small square table, covered with a green cloth. An old-fashioned easy chair stood by the chimney; and one sat in it whom to see was to forget her surroundings.
In middle age she is still beautiful, with the rare beauty that shines from the root of the being. Her hair is of the darkest brown, almost black; her eyes are very dark, and her skin is very fair, though the soft bloom, as of reflected sunset, is gone from her cheek, and her hair shows lines of keen silver. Her features are fine, clear, and regular—the chin a little strong perhaps, not for the size, but the fineness of the rest; her form is that of a younger woman; her hand and foot are long and delicate. A more refined and courteous presence could not have been found in the island. The dignity of her carriage nowise marred its grace, or betrayed the least consciousness; she looked dignified because she was dignified. That form of falsehood which consists in assuming the look of what one fain would be, was, as much as any other, impossible to Isobel Macruadh. She wore no cap; her hair was gathered in a large knot near the top of her head. Her gown was of a dark print; she had no ornament except a ring with a single ruby. She was working a bit of net into lace.