‘I have thought of that, and it is my only comfort. But I am sick of the whole subject. See that cloud! Isn’t it like Death on the pale horse? What fun it must be for the cherubs, on such a night as this, to go blowing the clouds into fantastic shapes with their trumpet cheeks!’
Assurance was ever what Charley wanted, and unhappily the sense of intellectual insecurity weakened his moral action.
Once more I reveal a haunting uneasiness in the expression of a hope that the ordered character of the conversation I have just set down may not render it incredible to my reader. I record the result alone. The talk itself was far more desultory, and in consequence of questions, objections, and explanations, divaricated much from the comparatively direct line I have endeavoured to give it here. In the hope of making my reader understand both Charley and myself, I have sought to make the winding and rough path straight and smooth.
CHAPTER XXXVI. TAPESTRY.
Having heard what I was about at the Hall, Charley expressed a desire to take a share in my labours, especially as thereby he would be able to see more of his mother and sister. I took him straight to the book-rooms, and we were hard at work when Clara entered.
‘Here is your old friend Charley Osborne,’ I said. ‘You remember Miss Coningham, Charley, I know.’
He advanced in what seemed a strangely embarrassed—indeed, rather sheepish manner, altogether unlike his usual bearing. I attributed it to a doubt whether Clara would acknowledge their old acquaintance. On her part, she met him with some frankness, but I thought also a rather embarrassed look, which was the more surprising as I had let her know he was coming. But they shook hands, and in a little while we were all chatting comfortably.
‘Shall I go and tell Mrs Osborne you are here?’ she asked.
‘Yes, if you please,’ said Charley, and she went.