About these he was as frank as he was about all the subjects which he discusses in his letters to Temple. We have detailed accounts (detailed enough, apparently, to offend, unfortunately for our purpose, the delicate ear of the first editor of the letters) which describe in several cases the precise nature of Boswell's love or passion or whatever be the appropriate expression. These accounts were intentionally complete. The eye of Boswell is fixed upon the thermometer of his affections to observe and indicate its rise and fall. Nothing could illustrate the man so well as the attitude which he here so nakedly revealed, typical entirely of Boswell because it is so completely self-centred. He lived for his own pleasure and says as much: 'That pleasure is not the aim but the end of our being, seems to be philosophically demonstrable. Therefore all the labour and all the serious business of life should first be considered as means to FIRST LOVE that end.'[13] In love he was not less governed by this system than he was in every other phase of life.

It was at the early age of eighteen when Boswell was still at the University that the son of Venus came to him upon the first of many visits. The lady, a Miss W——t, is described as a most desirable companion; and Cupid in one sense was kind to Boswell—for though his hope of an ideal future in the company of the beloved, the heiress to a fortune of thirty thousand pounds, was not destined to be realised, he was able, if the lady were disinclined to adorn his life, to 'bear it æquo animo, and retire into the calm regions of philosophy.'

The subject of matrimony seems often to have occupied the thoughts of Boswell. At times the appeal of unmarried life was strong. 'The bachelor has a carelessness of disposition which pleases everybody, and everybody thinks him a sort of common good—a feather which flies about and lights now here, now there.' But the ideal of a winged good which was to float about thus amiably gave way at times to a more sedate view of living. 'If you think of the comforts of a home, where you are a sort of sovereign, the kind endearments of an amiable woman, who has no wish but to make you happy, the amusement of seeing your children grow up from infancy to manhood, and the pleasing pride of being the father of brave and learned men, all which may be the case—then marriage is truly the condition in which true felicity is to be found.' In the absence, however, of a felicity which could add so much comfort and pleasure and so small a burden of responsibility to his life, Boswell was happy enough, he proceeds to relate, to have a 'dear infidel.' That there was no infidelity on the part of this 'charmer' Boswell is able to affirm, while he does not deny that she has a husband; but though, as he says, 'imagination represented it just as being fond of a pretty, lively, black little lady, who, to oblige me, stayed in Edinburgh, and I very genteelly paid her expenses,' he was glad no doubt that circumstances permitted him to arrange his pleasures without hypocrisy.

The course of his amour was not destined to run very smoothly. The ardour of Boswell for the deserted or deserting lady was intermittent and expensive; it was difficult to be rid of her because the tendernesses of a farewell upset the unstable balance of Boswell's susceptibility; 'I was sometimes resolved to let her go, and sometimes my heart was like to burst within me. I took her dear hand; her eyes were full of passion, I took her in my arms.' The dramatic moment is too much for the best-laid plans, and Boswell was grateful, as he well might be, to find himself free after two months. 'I am totally emancipated from my charmer, as much as from the gardener's daughter who now puts on my fire and performs menial offices SEVERAL LADIES like any other wench.' The affair with the gardener's daughter is unfortunately not related. She is mentioned only this once where Boswell tells us that a year before this date (March 30, 1767), he had been 'so madly in love as to think of marrying her.' Two other ladies are mentioned in the same letter, Miss Bosville and Miss Blair. He thought of the former, who was his cousin, as a convenient match, but the suit does not appear to have been prosecuted with much vigour. She was kept, as it were, in the second line of battle to fill up a gap when an object of devotion was required. There is another name of the same kind, Zelide, a Dutch lady whom he met at Utrecht and who appears upon the scene periodically. Boswell several times threatened to marry her. How many affairs there were of this class it is difficult to estimate. Exact information on the subject would be valuable as enabling us to adjust the proportion of these matters. From isolated remarks referring to women not elsewhere mentioned, such as 'My Italian angel is constant,' we might suppose that Boswell conducted his amours on the magnificent scale of Solomon. But this can hardly have been the case.

Miss Blair was a Scotch heiress whose estate was not far from Auchinleck. Boswell's father was in favour of the match, which would have been in every way desirable, particularly so if it be considered appropriate that the young lady was in love with Boswell. The initial stages were highly propitious. Miss Blair with her mother was persuaded, without great difficulties we may suppose, to stay at Auchinleck, where Boswell in the 'romantic groves' of his ancestors 'adored her like a divinity.' The heir whose 'grand object is the ancient family of Auchinleck—a venerable and noble principle' intends to carry off the 'neighbouring princess' by assault rather than siege, and in the pursuit of romance allows no time for love to languish. An emissary[14] is despatched, no other than the faithful Temple, who is at once to blow the trumpet as a herald, and as a spy to observe the enemy's fortifications. 'Praise me for my good qualities—you know them.' These are the instructions. Romance is to be fed by mystery and the chase encouraged by the elusiveness of the quarry. 'But talk also how odd, how inconstant, how impetuous, how much accustomed to women of intrigue. Ask gravely, Pray don't you imagine there is something of madness in that family?' A tinge of insanity may be a pleasing dash of colour in the hero; or the suggestion may draw the attention of the fair one to extravagances which are to be noted as the fantasies of genius. The ultimate halo, the crown of glory, is reserved for the explorer of distant lands and the friend of men distinguished in a continent. PURSUIT OF MISS BLAIR 'Talk of my various travels, German princes—Voltaire and Rousseau.' The effect upon the audience of this elaborate comedy is to be duly registered in order that the manager may arrange the sequence appropriately and the principal actor appear in splendour at the dramatic moment. 'Observe her well. See how amiable! Judge if she would be happy with your friend. Think of me as the great man at Adamtown—quite classical too; study the mother. Remember well what passes.... Consider what a romantic expedition you are on; take notes.' By the final injunction, the biographer's own peculiar weapon is to be directed at the prize and the lady captured by a sheet of memoranda.

An accident, however, occurs and trivial circumstance is swollen to importance by the fever of impatience. The fervour of a suitor's letter demands immediate reply; but the letter remains for some days in the post. Letter follows letter, and the perturbation increases when jealousy summons the image of a yellow nabob. The actor doubts if he has chosen the proper rôle, and fears the effect of his 'Spanish stateliness.' But the ardent lover is able to exclaim, 'I am entertained with this dilemma like another chapter in my adventures,' and consolation comes in a letter from the Signora 'written with all the warmth of Italian affection.' Finally the matter is explained and there is the pleasure of restoring harmony. Lucky that these matters run never smoothly, for there will be further opportunity of experiencing the tortured joy of a quarrel and the supreme delight of reconciliation. An uninteresting interval is amused by a renewal of intimacy with the 'dear infidel' before another coolness is arranged. The self-possession of the lady now provokes 'a strange sultanish letter, very cold and very formal,' and after an absence of three weeks the suitor pays an eminently agreeable visit to the prospective bride, though still apparently in a rather sultanish mood: 'I am dressed in green and gold. I have my chaise in which I sit alone with Mr. Gray, and Thomas rides by me in a claret-coloured suit with a silver-laced hat.' The final joy was however withheld. 'The princess and I have not yet made up our quarrel, she talks lightly of it.' The adorer is prepared conditionally to soar to the last heights of adoration. 'If she feels as I wish her to do, I shall adore her while my blood is warm': but the philosopher is determined to escape the inconvenience of a wounded heart: 'I shall just bring myself, I hope, to a good, easy tranquillity.' The 'princess' by this time has ceased to be a dupe; she may have seen that the courtship was arranged to give the colouring of romance to conventional matrimony, and alter the pompous comedy of surrender to a serious farce for one party and for the other probably to a serious tragedy. Her manner in any case became more reserved: 'She FAILURE AND CONSOLATION refused sending me a lock ... and she says very cool things upon that head.' The burning lover begins to congratulate himself upon escape from so unsatisfying a mate, and the beautiful princess is discovered to be a jilt. 'Wish me joy, my good friend, of having discovered the snake before it was too late.... After this I shall be upon my guard against ever indulging the least fondness for a Scot lass; I am a soul of a more Southern frame. I may perhaps be fortunate enough to find an Englishwoman who will be sensible of my merits and will study to please my singular humour.' Zelide and Miss Bosville are mentioned in the same letter, the former to illustrate the truth that 'an old flame is easily rekindled' and the latter as a possibility to be kept in mind.

But a volatility amazing even in Boswell produces on the following day a letter which is full of the charms of Miss Blair. The more violent the quarrel the more pleasing the peace-making. A meeting is arranged at Edinburgh; a declaration is made and the now enthusiastic suitor reports, 'I ventured to seize her hand. She is really the finest woman I ever saw.' The 'princess' however is still reserved, and determined efforts have to be made at the theatre.

Next evening I was at the play with them; it was 'Othello.' I sat close behind the princess, and at the most affecting scenes I pressed my hand upon her waist; she was in tears and rather leaned to me. The jealous Moor described my very soul. I often spake to her of the torment she saw before her.

But even after this touching scene there is cause for disquiet. 'Still,' he says, 'I thought her distant, and still I felt uneasy.'

The encouragement however was sufficient to give confidence to the attack, and there follows a tête-à-tête in which 'pleasure from the intimacy of often squeezing and kissing her fine hand, while she looked at me with those beautiful black eyes,' was somewhat darkened by a disconcerting surprise. 'I then asked her to tell me if she had any particular liking for me. What think you, Temple, was her answer? "No; I really have no particular liking for you; I like many people as well as you—I like Jeany Maxwell better than you."' Consolation must now be sought where love is denied. Boswell: 'If you should happen to love another, will you tell me immediately and help me to make myself easy?' Princess: 'Yes, I will.' But the lady's sympathy shows a want of imagination which is highly unsatisfying. Boswell: 'I must, if possible, endeavour to forget you. What would you have me do?' Princess: 'I really don't know what you should do.'